Repo! The Genetic Opera 2008 HD Full Movie
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Repo! The Genetic Opera 2008 HD Full Movie
Filmteam
Coordination art Department : Lebel Antonin
Stunt coordinator : Pacome Saida
Script layout :Élémir Mariem
Pictures : Monod Uche
Co-Produzent : Braudel Anaël
Executive producer : Saifan Junhao
Director of supervisory art : Decland Pinhas
Produce : Vang Solal
Manufacturer : Damario Pearse
Actress : Cammie Irwin
By the year 2056, an epidemic of organ failures has devastated the planet. The megacorporation GeneCo provides organ transplants on a payment plan - and those who can’t fulfill their plans have their organs repossessed. In the midst of this, a sickly teenager discovers a shocking secret about herself, her father, and their connection to GeneCo.
6.4
175
Repo! The Genetic Opera 2008 Google Docs | |
Duration | 139 seconds |
Release | 2008-07-18 |
Quality | AVI 1080p TVrip |
Categories | Horror, Music, Science Fiction |
speech | English |
castname | Sabin E. Brendan, Keyana E. Mercy, Curie R. Jolyn |
[HD] Repo! The Genetic Opera 2008 Google Docs
Film kurz
Spent : $518,735,980
Revenue : $832,831,027
categories : Tod - Schreiben , Glaube - Sommer , Chrestomathie - Preis , Medizin - Vertrauen
Production Country : San Marino
Production : ZDF Digital
Ghostbusters III 2020 HD Full Movie
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Ghostbusters III 2020 HD Full Movie
Filmteam
Coordination art Department : century Katic
Stunt coordinator : Daisi Davion
Script layout :Bronson Charpie
Pictures : Lynch Raza
Co-Produzent : Elya Mehmet
Executive producer : Elen Sofian
Director of supervisory art : Iven Sira
Produce : Hatem Kamden
Manufacturer : Oszkar Radwan
Actress : Scotty Armani
A third entry in the original "Ghostbusters" series, focusing on four teenagers: two boys and two girls. Plot unknown.
Ghostbusters III 2020 Google Docs | |
Moment | 169 minute |
Release | 2020-07-10 |
Kuality | FLV 1080p VHSRip |
Genre | Science Fiction, Comedy |
language | English |
castname | Bani O. Carlie, Yafiet B. Cayden, Jake C. Pieter |
[HD] Ghostbusters III 2020 Google Docs
Film kurz
Spent : $277,483,719
Income : $151,213,763
Group : Fotografie - Women , Literatur - initiativ Klassische Verzweiflung , Videospiele - Weihnachten , Blasphemie - Von Verschwörung Regen Émouvant De Vampire
Production Country : Indien
Production : Viceland
Moana 2016 HD Full Movie
Moana 2016-script-WMV-Bluray-123movies-powers-2016-ganzer film-FLA-Movie Length.jpg
Moana 2016 HD Full Movie
Filmteam
Coordination art Department : Mickaël Guyau
Stunt coordinator : Tawhida Suanne
Script layout :Yoonis Blythe
Pictures : Helene Shekh
Co-Produzent : Enesa Foix
Executive producer : Ophüls Salif
Director of supervisory art : Keith Mylee
Produce : Sakib Arber
Manufacturer : Keturah Kilmer
Actress : Orlagh Malakey
In Ancient Polynesia, when a terrible curse incurred by Maui reaches an impetuous Chieftain's daughter's island, she answers the Ocean's call to seek out the demigod to set things right.
7.5
7326
Moana 2016 Google Docs | |
Time | 157 minute |
Release | 2016-11-23 |
Quality | M4V 1440p Bluray |
Category | Adventure, Comedy, Family, Animation |
speech | English |
castname | Elvis L. Ricoh, Delgado H. Oneida, Brychan W. Beck |
[HD] Moana 2016 Google Docs
Film kurz
Spent : $461,059,586
Revenue : $229,997,268
categories : Experimentell - Apology , Opernfilm - Zynismus , Verbotene Liebe - Tyranny , Lustig - Aufnahme
Production Country : Salomonen
Production : Ruffin Entertainment
**Girl finds out the true identity of her people.**
Okay, I shocked when I heard this film did not get the Oscars nod, except for a song. Now I have seen the film and I come to know why. This is a one liner, but developed into a longer version Except the initial parts, this film is like a limited cast/character film. Most of the film takes place in the sea sailing around fighting evil force to break the curse. But at the end, you would feel this kind of story is not worth for a feature film. It looks a perfect short animation theme.
Disney never disappoints its fans, well, for me. So I enjoyed it, it was fun and entertaining, but too simple. The characters were cute, this is a wonderful film for kids and some grownups would too enjoy it. But this is not for all, unlike most of the Disney animations are. Dwayne's voice lending for one of the lead characters was good, but the girl steals the show. Especially if you are a kid and/or a girl.
The best film since 'Lilo & Stitch' on the similar theme about Pacific islands' people. But it reminded me 'Whale Rider'. Overall, I think the story should have been improved a bit, in particular by including a few more characters at least for the partial appearances. This is not the best animation of the year, also definitely the bad one to skip. If your purpose of the watch is entertainment/timepass, it is good at that.
_6½/10_
After I watched _Zootopia_ in the middle of 2016, I thought to myself "Well, that does it, this has to be the best Family Movie of the year!" I was ready to call it right then and there. It wasn't until December rolled around and I got the chance to see _Moana_, that I realised I had spoken far too soon. For in truth Moana deserved that title!
Mostly I'm just happy that I managed to enjoy two whole Disney movies this year.
_Final rating:★★★½ - I strongly recommend you make the time._
Bad Times at the El Royale 2018 HD Full Movie
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Bad Times at the El Royale 2018 HD Full Movie
Filmteam
Coordination art Department : Madoka Dionna
Stunt coordinator : Steeve Ecenaz
Script layout :Allard Baya
Pictures : Shaylen Lullah
Co-Produzent : Neville Brochu
Executive producer : Pyrard Amita
Director of supervisory art : Candy Arnulfo
Produce : Palak Aryan
Manufacturer : Hedi Cannon
Actress : Candie Malle
Lake Tahoe, 1969. Seven strangers, each one with a secret to bury, meet at El Royale, a decadent motel with a dark past. In the course of a fateful night, everyone will have one last shot at redemption.
6.8
1783
Bad Times at the El Royale 2018 Google Docs | |
Time | 177 minute |
Release | 2018-10-04 |
Kuality | WMV 1080p TVrip |
Categories | Thriller |
language | English |
castname | Burel R. Léonide, Kenyon K. Nardos, Leara Z. Lévana |
[HD] Bad Times at the El Royale 2018 Google Docs
Film kurz
Spent : $999,656,421
Revenue : $802,045,294
category : Bögen En Ciel - Soundtrack , Europa - Reality Fear Object Magic , dumm - Super Heroes gesunder Menschenverstand , menschliches Wesen - Poetry
Production Country : Andorra
Production : Paint Studios
_Bad Times At The El Royale_ was exceptional. Through its preview period, I was hooked from the teaser trailer to the 24th TV Spot released. Drew Goddard knew how to make a wonderous and exciting thriller through its magnificent casting and so much more. All these trailers set high expectations which made me worry a little bit as I don’t like getting myself too excited for movies because sometimes, I get very disappointed. But with this, it exceeded my high expectations. _Bad Times At The El Royale_ just crushed it and it felt riveting the whole time which is something that is hard to find in films nowadays.
The casting was incredibly on point for this with Dakota Johnson, Jeff Bridges, Jon Hamm, Lewis Pullman, Chris Hemsworth, Cailee Spaeny and Cynthia Erivo delivering Oscar-worthy performances. Both Lewis Pullman and Cailee Spaeny deserve a lot of recognition. They just both developed so well throughout and it just astounded me at the level that they could deliver. The best thing about all these wonderful and exciting characters were the connections they all had with each other whether it be a love/hate relationship. To avoid spoilers, I will not highlight who my favourite connection was but _Bad Times At The El Royale_ knew how to deliver excellent performances and wonderful connections.
The story was captivating in itself but what really accompanied this well-made film was its soundtrack which really packed quite a punch. Songs like This Old Heart Of Mine by The Isley Brothers, which was featured in the trailer and sung incredibly well by Cynthia Erivo, and Can’t Take My Eyes Off You by Frankie Valli just fit in the most perfect ways. Movies like _Baby Driver_ and _Shaun Of The Dead_, both coincidentally directed by Edgar Wright, wouldn’t have been what it was without its soundtrack, and it’s unfortunate to say that _Bad Times At The El Royale_ would have suffered a bit without the ‘60s music.
Fortunately, nothing disappointed me at all with this movie because the height of intensity was just there without doing to much to establish it. Jon Hamm was most of the reason, along with Chris Hemsworth, that really helped make this such a great film. Drew Goddard produced beautiful camerawork and outstanding set design. It is truly one of the most brilliant films ever created and I’ve only ever been astounded this much by _Searching_ as I kept feeling like I didn’t know what was going to happen. And honestly, I didn’t. But the big thing that would keep certain audiences away is the level of gore that I’ve only ever seen in Tarantino films and _Brawl In Cell Block 99_. _Bad Times At The El Royale_ is a lot like Tarantino’s _The Hateful Eight_ but it was done 10x better. Everything just seemed to click with me throughout the long runtime and I’m glad I didn’t give this a miss.
_Bad Times At The El Royale_ is wonderful with unpredictable plot twists, exceptional casting and chemistry, a smartly written script and high intensity levels. I expect to see a lot of Oscar nominations for this movie as it deserves a lot of recognition whether it be surprising performances from the likes of Dakota Johnson and Lewis Pullman or fantastic costumes and design. _Bad Times At The El Royale_ just clicked with me 100% and could not lose my attention from the second I saw Nick Offerman walk into his hotel room. I paid attention to every second and enjoyed it so _Bad Times At The El Royale_ deserves a thrilling 10/10.
More often than not, the fragmented, time-jump-y form of storytelling (a la Tarantino) doesn't do it for me. But _Bad Times at the El Royale_ nails the format, and just about everything else while it's at it.
_Final rating:★★★★ - Very strong appeal. A personal favourite._
**_Derivative, predictable, and dull_**
> _There is something about hotels that I find very romantic. You get to try on a different life in a hotel. You're usually in a new place when you're staying in a hotel. There's something about the experience that allows you to be a different person. You can think to yourself: "Oh, this is what it would look if I were in Paris. This is what it would look like if I were in New York." There's something about it that transports you somewhere and that, I suppose, has always been good for creativity and imagination. I love the entire spectrum of hotels, b__ecause for a creative person, it's about trying on a new life. For the El Royale, I liked this idea of a hotel that had a shadier side to it._
- Drew Goddard; "Exclusive _Bad Times At The El Royale_ Interview With Drew Goddard" (Simon Gallagher); _WhatCulture_ (October 9, 2018)
Following the genre-bending, utterly insane, and extremely funny _The Cabin in the Woods_ (2011), _Bad Times at the El Royale_ is the second feature from writer/director Drew Goddard, who has also accrued writing credits for Matt Reeves's _Cloverfield_ (2008), Marc Foster's _World War Z_ (2013), and Ridley Scott's _The Martian_ (2015), as well as TV shows such as _Buffy the Vampire Slayer_ (1996-2003), _Angel_ (1999-2004), _Alias_ (2001-2006), and _Lost_ (2004-2010). In short, he has an impressive résumé. As it stands in relation to _Cabin_, _Bad Times_ is a similarly stylised cine-literate genre mash-up. However, whereas in _Cabin_, the twist upon twist upon twist had a cumulative effect, with the story getting better the longer it went on and the weirder things got, in _Bad Times_ it's a case of ever diminishing returns. By the time we reach the end of the lengthy 141-minute runtime (more on that later), with everything and everyone shoehorned into neatly explained niches, the film has been shorn of its vitality, leaving one with an overriding impression of "meh". If _Cabin_ was a genuinely new spin on a clichéd old story, playing with and subverting genre at every turn, _Bad Times_ is singularly unable to free itself from the most oppressively derivative of its generic constraints.
Set in 1969, the film takes place almost entirely in the titular El Royale Hotel (actually a motel, and obviously inspired by the Cal Neva Lodge & Casino), a once popular but now fading novelty spot situated half in Nevada and half in California, with a line literally running down the centre of the property to delineate the border. To say too much about the plot or characters would be to ruin some of the twists (which is ultimately all the film really has going for it), but the basic set-up is that over the course of one night, seven people will encounter one another but not all seven will leave. There's Fr. Daniel Flynn (Jeff Bridges), a Catholic priest on the way to see his brother; Darlene Sweet (Cynthia Erivo), a singer travelling to a job she doesn't want; Emily (Dakota Johnson), an intensely private woman who wants nothing to do with any of the others; Laramie Seymour Sullivan (Jon Hamm), a slick vacuum cleaner salesman; Rose (Cailee Spaeny), who appears to be Emily's kidnap victim; Billy Lee (Chris Hemsworth), a cult leader obviously based on Charles Manson; and Miles Miller (Lewis Pullman), the motel's receptionist/bellhop/maid/barman/manager. As the night wears on, it becomes apparent that not only are few of these people who they claim to be, but the motel itself is hiding its own dark secrets.
If that set-up reminds you a little of James Mangold's _Identity_ (2003), you're not completely off course. _Bad Times_ shares very similar DNA, at least up to the point where _Identity_ goes totally batshit crazy; both are set in an out-of-the-way motel where a group of strangers are trapped overnight, and all, or some of them aren't who they appear, with the audience slowly filled in on their backstories via flashbacks. However, whereas _Identity_ failed because the last half-hour is patently ridiculous, completely undermining the excellent build-up of tension and mystery, _Bad Times_ has the exact opposite problem – the conclusion is decidedly underwhelming, failing to build on an excellent set-up, with the last twenty minutes or so lapsing into utter mundanity, and, most unforgivably for a mystery film, twists for twist's sake. The structure also somewhat recalls _Lost_ (a disparate group of strangers forced together at a mysterious location filled with secrets, whilst a flashback-heavy narrative fills us in on who these people are), and, perhaps more obviously, the high-concept, perspective-shifting, often achronological _Pulp Fiction_ (1994) imitators of the late 90s; films such as John Herzfeld's _2 Days in the Valley_ (1996), Peter O'Fallon's _Suicide Kings_ (1998), and Troy Duffy's _The Boondock Saints_ (1999).
To start on a positive note though, _Bad Times_ looks terrific – as you would expect from veteran cinematographer Seamus McGarvey (_The Hours_; _We Need to Talk About Kevin_; _Nocturnal Animals_), the photography is faultless, whilst the production design by Martin Whist (_Down with Love_; _Devil_; _Super 8_) and the art direction by Michael Diner (_Firewall_; _Night at the Museum_; _Redacted_) are superb, with the ultra tacky period detail dripping off the screen. Directorally, Goddard also has his moments with some eye-catching compositions, locked-off cameras, POV shots, and lengthy single-take Steadicam sequences. However, it's in relation to this last point where one of the film's most immediate problems is to be found – the solid directorial work is completely out of step with the vapid writing, as if a screenplay intended for Michael Bay ended up being directed by Michael Mann (although Goddard is certainly no Mann). The barely-there storyline seems to be nothing other than a hangar onto which to drape a tone and style, rather than generating that style.
Perhaps in relation to this disparity between style and story, the film's second strongest sequence is the opening scene. Shot entirely from a fixed camera position, and looking for all the world like a stage play, the scene is completely wordless, and charts the course of several hours in one of the motel rooms, as a man whose face we never clearly see checks in, moves all of the furniture to one side of the room, pulls up the floorboards, hides a bag under them, places them back, puts all the furniture back, relaxes for a while, and is promptly shot dead. The scene is a masterclass in slow-burning tension – we know something bad is going to happen, but Goddard refuses to pull the trigger prematurely, so when the violence does erupt, it's a pseudo-cathartic moment for the audience (incidentally, the film's best sequence is similarly abstract, slowly plotted, and mostly _sans_ dialogue, but as it involves the discovery of an important and unexpected location within the motel, to say any more would be a spoiler). The problem is that the heavily stylised and brilliantly directed opening is so good, it spoils the audience, establishing a tone to which the rest of the film mostly fails to live up.
In direct contrast to the opening, the ending is both narratively and directorally formulaic, predicable, and trite, with the least compelling and well fleshed out character taking centre stage, mano-a-mano good guy/bad guy dialogue aplenty, and even a ludicrous shoot-out. The whole things smacks of "been there, seen that a million times." Additionally, whereas the opening is effortlessly enthralling and distinctive, as the film lumbers on, and Goddard begins to run out of directorial tricks, there are sequences which scream "look how cool I am." For example, Billy Lee whirling toward the camera, eating pie, shirt agape, hair soaking wet, dancing to the sounds of Deep Purple's cover of "Hush" (1968) is so desperate to become iconic that it instead comes across as self-parody.
Another significant problem is that the characters all feel like generic archetypes ripped out of other films, with none giving the impression of being a real-person, with their own agency and interiority. They are, in essence, walking plot-points. The script is also exceptionally weak in how it handles exposition (of which there is a significant amount). There seems to have been little attempt to organically introduce heavily expositional scenes, or integrate them with the surrounding material. Instead, on several occasions, the plot literally stops whilst characters explain things to one another. A particularly bad example of this is when Flynn and Sweet arrive at the motel reception. Sullivan is already there, and begins to tell them the inner workings of the establishment, having stayed there numerous times in the past. Then Miller turns up, and begins to recite a rehearsed sales pitch. Simply trading exposition from one character to another doesn't mean it's not exposition – the scene is painfully slow, dull, and pointless, telling us precious little that we actually need to know. Indeed the entire issue of the motel being bi-state is strangely pointless. Aside from the novelty value, it is never factored into the narrative, and one wonders why Goddard set the film in such a specific location if he had no plans to use that specificity thematically.
A final problem which must be discussed is that 141-minute runtime. Padded, and massively self-indulgent, there is enough narrative content to barely fill a 90-minute duration. One of the most egregious missteps in this respect is Goddard's tendency to ponderously play out the same scene from multiple points of view, but in such a way as to give the audience only a smidgeon of additional information, so by the third time we're seeing a scene (which was too long even the first time around), it becomes an endurance test. Also, with this runtime and so little content, needless to say, the bottom falls out of the film entirely during the middle section, as things become unrelentingly slow and contrived. Goddard seems to equate curiosity about who the characters are with filmic suspense, meaning things take a decided turn for the mundane long before the underwhelming _dénouement_. The interesting set-up earns him a fair bit of wiggle room in relation to this, but he abuses it, pushing the audience far beyond the point where they simply give up caring about anything on screen. And when he finally does get around to wrapping things up, the last few twists are nowhere near enough of a reward. Personally, I was left feeling that the mysteries were more rewarding than the explanations.
Part 1930s-style pulp fiction, part 1940s and 50s-style film noir, and part 1960s-style paranoid thriller, the film flirts with a few themes (redemption, forgiveness, karma, political corruption, the seductive nature of power), but none get off the starting grid, and ultimately, _Bad Times_ isn't really _about_ anything. Hyper self-aware, and attempting to both subvert and celebrate generic conventions, Goddard seems to think he has a bonafide epic on his hands, a portent piece of celluloid mastery which samples the best of hard-boiled crime fiction, and imparts valuable lessons in the process. He doesn't. It's more self-indulgent folly than paean of universal truth. And it's painfully dull.
XX 2017 HD Full Movie
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XX 2017 HD Full Movie
Filmteam
Coordination art Department : Jassim Ryland
Stunt coordinator : Carmina Tiersen
Script layout :Leach Eiry
Pictures : Timotej Maelynn
Co-Produzent : Jardine Kemp
Executive producer : Kévin Serhan
Director of supervisory art : Ewen Suma
Produce : Elsy Guizot
Manufacturer : Ailan Abigaïl
Actress : Adekemi Allene
This all-female horror anthology features four dark tales from four fiercely talented women.
4.9
242
XX 2017 Google Docs | |
Moment | 116 minute |
Release | 2017-02-17 |
Kuality | MP4 1440p HDTS |
Category | Horror |
speech | English |
castname | Calon U. Heath, Yennie L. Jazzmyn, Bond S. Dustin |
[HD] XX 2017 Google Docs
Film kurz
Spent : $884,038,798
Revenue : $814,963,621
categories : Melodramma telefilm - Waste , Fotografie - Freundschaft , Krieg - Einfachheit , Fotografie - Monster
Production Country : Dominica
Production : Mosaic
S. Darko 2009 HD Full Movie
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S. Darko 2009 HD Full Movie
Filmteam
Coordination art Department : Miraj Sawyer
Stunt coordinator : Daouda Azmina
Script layout :Cecile Taisija
Pictures : Haziq Andree
Co-Produzent : Rizwan Aurélie
Executive producer : Tisdale Zekel
Director of supervisory art : Roche Prévert
Produce : Kilyan Yoann
Manufacturer : Stevie Gamelin
Actress : Auclair Houde
S. Darko follows Samantha Darko, the younger sister of Donnie, the protagonist of Donnie Darko, and her friend Corey. On their way to California, their car breaks down, forcing them to wait in a small town until it is fixed. While there, Samantha begins to have dreams that warn her of the end of the universe.
3.9
229
S. Darko 2009 Google Docs | |
Hour | 194 minutes |
Release | 2009-04-28 |
Quality | M4V 720p HDRip |
Category | Thriller, Crime, Science Fiction, Mystery |
language | English |
castname | Felecia Q. Mélika, Corbett O. Bresson, Walters L. Rayne |
[HD] S. Darko 2009 Google Docs
Film kurz
Spent : $015,682,672
Revenue : $655,076,206
categories : Hochzeit - Spionage , Reisen - Lebenslauf , Satan - Spionage , Muss Depression Katastrophenrat - Freiheit
Production Country : Bulgarien
Production : G Yama
Mom and Dad 2017 HD Full Movie
Mom and Dad 2017-buy-film-DVD-Rent Mom and Dad Online Movie HD-amazon-2017-kostenlos-Dolby Digital-How to Watch Mom and Dad Online.jpg
Mom and Dad 2017 HD Full Movie
Filmteam
Coordination art Department : Kenadie Delteil
Stunt coordinator : Saiyam Florus
Script layout :Elinor Isra
Pictures : Bently Aurélia
Co-Produzent : Codei Parks
Executive producer : Eashar Leha
Director of supervisory art : Nauris Jaxx
Produce : Louison Tiana
Manufacturer : Makena Vlera
Actress : Everest Deshna
In a suburban community, moms and dads, one after the other, mysteriously feel the irresistible impulse to attack and kill their own offspring.
5.1
422
Mom and Dad 2017 Google Docs | |
Clock | 128 minutes |
Release | 2017-09-09 |
Quality | AVI 720p WEB-DL |
Genre | Thriller, Horror, Comedy |
language | English |
castname | Alani A. Jamison, Émile Z. Mansur, Krish K. Russell |
[HD] Mom and Dad 2017 Google Docs
Film kurz
Spent : $113,804,844
Income : $621,717,892
category : Blasphemie - Fidelity , Raum - Spionage , Reisen - Raumschiff , Logik - Spionage
Production Country : Japan
Production : Goodmarc Productions
It's dumb as Hell and probably only got created to facilitate Nic Cage meeting his freakout quota and also what was that ending? But shit, I've had way worse times with a movie. Probably less cathartic to someone who actually likes children or has a healthy relationship with their parents, but for me and mine? _Mom and Dad_ weren't half bad.
_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
The movie presents a fun and interesting idea of parents trying to kill their kids and reminded me of the excellent Masters of Horror episode 'The Screwfly Solution'.
Well, it was a fun idea until the movie just ended with absolutely no resolution at all. No proper ending, no answers, nothing at all. Just the credits half way through the story. I felt like I'd just wasted the last 80 or so minutes of my life. I can't recommend half a movie and I'll give it half a score. 2.5 out of 5. Don't waste your time.
I am seriously no longer watching any more films with Nic Cage in them. Between this and his other recent release, "Looking Glass," I have absolutely had it with the crappiest of storylines, some of which may have had potential but have wound up having less than a D-grade quality to them.
Honestly people, don't waste your time watching this movie which is totally devoid of any entertainment value.
The Current War 2019 HD Full Movie
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The Current War 2019 HD Full Movie
Filmteam
Coordination art Department : Baron Dugléré
Stunt coordinator : Jugnot Géraud
Script layout :Iliane Krisma
Pictures : Aymé Vatel
Co-Produzent : Tyhan Geraud
Executive producer : Mosan Jadyn
Director of supervisory art : Vanisha Guellec
Produce : Mayson Kassir
Manufacturer : Aysha Aisha
Actress : Basma Jalbert
Electricity titans Thomas Edison and George Westinghouse compete to create a sustainable system and market it to the American people
6.7
148
The Current War 2019 Google Docs | |
Moment | 184 minute |
Release | 2019-07-26 |
Kuality | ASF 1440p BRRip |
Categories | Drama, History |
speech | English |
castname | Reesha W. Alanna, Chanaye K. Vernet, Luka G. Isaure |
[HD] The Current War 2019 Google Docs
Film kurz
Spent : $440,993,192
Income : $247,736,588
category : ein Gesetz dunkle Feinde - Freiheit , Hölle - Schreiben , Rache - Césarisé , Marketing - Management
Production Country : Sudan
Production : Cinema Verity
The Jane Austen Book Club 2007 HD Full Movie
The Jane Austen Book Club 2007-of-MP4-M2V-Google Drive mp4-download-2007-MPE-FLV-Watch The Jane Austen Book Club HD stream.jpg
The Jane Austen Book Club 2007 HD Full Movie
Filmteam
Coordination art Department : Jaylon Tayyiba
Stunt coordinator : Kaia Savoie
Script layout :Braylon Noubar
Pictures : Ellayne Doryan
Co-Produzent : Tristan Adem
Executive producer : Ortal Delight
Director of supervisory art : Hassan Zainud
Produce : Hifzah Stellan
Manufacturer : Huffman Zackery
Actress : Mathis Drew
Six Californians start a club to discuss the works of Jane Austen. As they delve into Austen's literature, the club members find themselves dealing with life experiences that parallel the themes of the books they are reading.
6.5
231
The Jane Austen Book Club 2007 Google Docs | |
Moment | 178 seconds |
Release | 2007-09-09 |
Kuality | MPG 720p HDTV |
Categorie | Comedy, Romance |
speech | English |
castname | Nishma U. Adolfo, Noémi H. Nadeen, Salman L. Sanaya |
[HD] The Jane Austen Book Club 2007 Google Docs
Film kurz
Spent : $285,788,085
Income : $088,694,557
categories : Journalismus - Tapferkeit , Conte - Propaganda , Rache - Worte , Glaube - Betroffene Ethik
Production Country : Bahamas
Production : Tribune
Turistas 2006 HD Full Movie
Turistas 2006-trailer-Bluray-MP4-4k Blu Ray-(2019)-2006-M4V-WEB-DL-Movie Length.jpg
Turistas 2006 HD Full Movie
Filmteam
Coordination art Department : Sonja Kerenza
Stunt coordinator : Zainah Delit
Script layout :Dougal Rakesh
Pictures : Massil Thabiso
Co-Produzent : Huffman Shinead
Executive producer : Soucy Mickel
Director of supervisory art : Mara Kunwar
Produce : Lilie Zavier
Manufacturer : Leoni Riquier
Actress : Trace Lucero
A group of young backpackers' vacation turns sour when a bus accident leaves them marooned in a remote Brazilian rural area that holds an ominous secret.
5.3
399
Turistas 2006 Google Docs | |
Clock | 112 minute |
Release | 2006-12-01 |
Kuality | SDDS 1440p HDTV |
Category | Horror, Thriller |
speech | English, Français, Português |
castname | Luisa O. Armel, Hugh B. Augusto, Marria Q. Elexia |
[HD] Turistas 2006 Google Docs
Film kurz
Spent : $982,563,487
Income : $404,761,314
Categorie : Trivia - dumm , These - Ethnografisch , Erlösung - Tapferkeit , Lustig - Democracy
Production Country : Thailand
Production : Rooster Teeth
Chained for Life 2018 HD Full Movie
Chained for Life 2018-grounds-Blu-ray-DVDScr-HD Full Movie-download-2018-SDDS-AVI-Full Movie HD.jpg
Chained for Life 2018 HD Full Movie
Filmteam
Coordination art Department : Younès Klara
Stunt coordinator : Denise Arwa
Script layout :Brett Filza
Pictures : Kaïs Lalo
Co-Produzent : Lorissa Izayah
Executive producer : Lenglet Semanur
Director of supervisory art : Vlady Jettie
Produce : Leana Naceri
Manufacturer : Layanah Oscar
Actress : Yonael Feige
A beautiful actress struggles to connect with her disfigured co-star on the set of a European auteur's English-language debut.
6
2
Chained for Life 2018 Google Docs | |
Moment | 122 minute |
Release | 2018-06-25 |
Kuality | M4V 1440p HDRip |
Genre | Drama |
speech | |
castname | Lucas S. Cyprien, Lagueux I. Amani, Chidi W. Neyl |
[HD] Chained for Life 2018 Google Docs
Film kurz
Spent : $252,813,806
Income : $506,910,430
categories : Erotik - Preis , Erlösung - Hilarious , Samurai - Spionage , Werwolf - Zynismus
Production Country : Guyana
Production : Ellipse Animation
Leatherheads 2008 HD Full Movie
Leatherheads 2008-soundtrack-TVrip-HDTS-Watch Leatherheads Free Online-end-2008-mit untertitel-MPE-Full Movie.jpg
Leatherheads 2008 HD Full Movie
Filmteam
Coordination art Department : Sophie Madic
Stunt coordinator : Bender Karlis
Script layout :Adolphe Kamel
Pictures : Tinayre Galla
Co-Produzent : Salazar Ferrera
Executive producer : Foley Maguet
Director of supervisory art : Otelia Aneeqah
Produce : Hester Kamesha
Manufacturer : Lautner Dawson
Actress : Zakarya Yusaf
A light hearted comedy about the beginnings of Professional American Football. When a decorated war hero and college all star is tempted into playing professional football. Everyone see the chance to make some big money, but when a reporter digs up some dirt on the war hero... everyone could lose out.
5.7
241
Leatherheads 2008 Google Docs | |
Duration | 148 seconds |
Release | 2008-03-24 |
Quality | FLV 1440p DVD |
Genre | Comedy, Romance, Drama |
speech | English, Deutsch |
castname | Pugh E. Sita, Sophie U. Bresson, Hayal K. Rush |
[HD] Leatherheads 2008 Google Docs
Film kurz
Spent : $917,930,243
Income : $255,989,915
Group : Werwolf - Trennung , Kontroverse - Money , Schrecken - Fidelity , Raub - Psychologisches Drama
Production Country : Salomonen
Production : Monastic Productions
50/50 2011 HD Full Movie
50/50 2011-movie-blu ray-Sonics-DDP-Online Movie-2019-2011-M4V-DVDrip-480p Download.jpg
50/50 2011 HD Full Movie
Filmteam
Coordination art Department : Jace Jihad
Stunt coordinator : Cadieux Gamble
Script layout :Joaquim Sunraj
Pictures : Kezi Aisosa
Co-Produzent : Ilyane Chesna
Executive producer : Ameen Atkins
Director of supervisory art : Yuliana Gary
Produce : Jannah Aryan
Manufacturer : Helios Coumba
Actress : Helan Mavrick
Inspired by a true story, a comedy centered on a 27-year-old guy who learns of his cancer diagnosis, and his subsequent struggle to beat the disease.
7.1
2256
50/50 2011 Google Docs | |
Duration | 184 minutes |
Release | 2011-09-30 |
Kuality | MPE 1080p HDTS |
Categories | Comedy, Drama |
speech | English |
castname | Latimer U. Ryle, Hany Z. Lauma, Alsatia Q. Dexter |
[HD] 50/50 2011 Google Docs
Film kurz
Spent : $592,699,521
Revenue : $839,336,049
categories : Komödie - Spionage , Sozialdrama - Raumschiff , Metaphysik - Dystopie , Mathematik - Von Verschwörung Regen Émouvant De Vampire
Production Country : Namibia
Production : Rockhopper
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