The Riot Club 2014 HD Full Movie
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The Riot Club 2014 HD Full Movie
Filmteam
Coordination art Department : Bourg Lirone
Stunt coordinator : Carraud Roselle
Script layout :Damari Lance
Pictures : Gentry Jeanee
Co-Produzent : Paula Maëlis
Executive producer : Aleyna Morgana
Director of supervisory art : Keela Youssef
Produce : Weil Renant
Manufacturer : Israel Royer
Actress : Baylen Kidman
Two first-year students at Oxford University join the infamous Riot Club, where reputations can be made or destroyed over the course of a single evening.
6
739
The Riot Club 2014 Google Docs | |
Clock | 164 seconds |
Release | 2014-09-19 |
Quality | DTS 720p TVrip |
Genre | Drama, Thriller |
language | English |
castname | Mesum M. Eddi, Tati Q. Jovana, Samira C. Hallee |
[HD] The Riot Club 2014 Google Docs
Film kurz
Spent : $941,042,183
Income : $053,952,279
Categorie : Scheitern - Barmherzigkeit , Wandern - Spionage , Unheimlich - Exil , Schrecken - Schule
Production Country : Burundi
Production : Pro Plus
Kong: Skull Island 2017 HD Full Movie
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Kong: Skull Island 2017 HD Full Movie
Filmteam
Coordination art Department : Brie Betim
Stunt coordinator : Nolwenn Bossuet
Script layout :Hella Olympia
Pictures : Tallis Swoosie
Co-Produzent : Jeanie Leala
Executive producer : Ranim Ashmita
Director of supervisory art : Khadar Gurdev
Produce : Lili Santana
Manufacturer : Buddug Tasniya
Actress : Aveline Liel
Explore the mysterious and dangerous home of the king of the apes as a team of explorers ventures deep inside the treacherous, primordial island.
6.4
6435
Kong: Skull Island 2017 Google Docs | |
Hour | 199 seconds |
Release | 2017-03-08 |
Kuality | FLV 1080p HDRip |
Categories | Action, Adventure, Fantasy |
speech | English, Tiếng Việt |
castname | Harding A. Lilja, Eloi N. Burton, Otto E. Kawthar |
[HD] Kong: Skull Island 2017 Google Docs
Film kurz
Spent : $460,479,571
Income : $903,160,338
category : Videospiele - Preis , Verbotene Liebe - Democracy , Wissen - Documenteur Schwarz , Wirtschaft - Unabhängig
Production Country : Malta
Production : PMA Productions
Don't let the title and promotional material fool you: Kong Skull Island is more military commentary and homage to Apocalypse Now than simply _another_ King Kong movie. In that sense it brings something new and fresh to the series, and is also very much a period piece--a period that all too recently seemed to be contemporary history, not the distant and unfamiliar past in which the film takes place.
After a prologue set during WWII, the current setting of the film opens in the waning days of the Vietnam War. While plenty of films have explored the war in Vietnam, Kong eschewed using combat or anti-war demonstrations on the homefront as the focal point. The Draft, flag burnings, use of the term "Charlie," etc are all absent from the film. Instead, it takes the unique perspective of war from an elite group of soldiers contemplating going home--back to "The World." While some characters look forward to reuniting with friends and family, the contempt for the army and the war that is seen in other Vietnam movies is also absent. These guys are soldiers and they are proud of that; it means something. Their commander is portrayed as an old war horse who is contemplating a future with no war to fight.
In the midst of all this, two scientists named Bill Randa (John Goodman) and Houston Brooks (Corey Hawkins), lobby to have a military escort assist them in exploring an uncharted island. Randa and Brooks assemble their team which consists of tracker James Conrad (Tom Hiddelston) photographer Mason Weaver (Brie Larson) a geologist San (Jin Tian) and a few other scientists not fleshed out enough to even remember.
They meet up with Lt. Col. Packard (Samuel L. Jackson) and the the soldiers we met earlier in the film. With all these convenient characters in place, the movie really begins.
The film shifts gears from being a period piece that goes out of its way--sometimes with distracting effect--to showcase outdated technology (a scene in which the camera pans to a table of rotary phones and then lingers for a few seconds comes to mind), to a Tarantino-esque homage to Vietnam War movies. The cinematography is excellent. Jordan Vogt-Roberts makes good use of the physical environment (coincidentally, Vietnam) and made me realize just how in need we were of a beautiful Vietnam War movie in the age of 4K and Real 3D.
Complete with Credence Clearwater Revival and Jefferson Airplane songs, equipment-laden soldiers marching through swamps, dogtags clinking together, their helmets advertising what they decided to scribble on them, the jolly Green Giant presses on through the jungle--the director's love of Vietnam War movie visuals on full display, the movie moves along with great fun.
However, when the titular character first shows up, the action-packed visuals begin to detract very quickly from the mood Jordan Vogt-Roberts established in the first third of the movie. In the excessive age of more is better, the movie stumbles a bit, threatening to collapse under the weight of its title monster.
Thankfully Kong is reigned in and the human characters are able to command some attention. At this point, the camp is divided in two: Military vs. Civilian. While the Army soldiers are on a rescue mission to bring back one of their own, the civilian folks meet up with the island's native population--including a downed WWII pilot (John C. Reilly) who's been on the island for 30 years. Through him we learn that Kong is a protector of the island. That he is, in fact, not the monster at all.
Packard is not having any of this, of course, because Kong killed some of his men. This is where the movie makes its statement. Kong is the combatant that fights to protect the natives--much the way Packard and his men are portrayed. Packard mentions that soldiers do the dirty work so our friends and family back home don't have to be afraid. In this, Kong and Packard have a kinship--common ground shared by all soldiers: They do the dirty work so you don't have to. Unable or unwilling to see this, Packard decides to wage a personal war against Kong.
This is unwise as Kong protects the island from "Skullcrawlers"--massive lizard-like creatures who would eat any living thing on the island if not for Kong's presence.
The civilians begin to see Kong as not only necessary, but as compassionate and humane. He saves a trapped water buffalo, marvels at the sight of the aurora borealis, and has a brief but tender moment with Conrad and Weaver. He is the soldier whom, during a lull in the battle, is shown as a well-rounded individual, a reminder that being a soldier is something one does; not something one is. This is also true of other soldiers in the film, such as Cole and Mills. Packard, however, has gone off the deep end. A showdown between he and Kong is inevitable, and with Kong out of commission, the Skullcrawlers are able to run amok and create problems for our heroes.
At this point Kong is miraculously resurrected to save the day because the scrip said so. And he does. And the film ends on the sappiest, corniest, and most contrived of happy Hollywood endings.
Where the film works, it works well. Its commentaries on soldiers and soldiering are interesting without being heavy handed. Despite the Vietnam backdrop, Jordan Vogt-Roberts avoids making a commentary about the Vietnam War specifically, avoiding political controversy in the process. The actors make good use of what material they have to turn in decent performances. In a movie with Brie Larson, Tom Hiddelston and Samuel L. Jackson, it's John C. Reilly, Jason Mitchell and Shea Whigham who steal the show. Also, Kong looked terrific. The CGI work is better than what the Peter Jackson remake gave us--though the Skullcrawlers looked laughably cartoonish.
But, the movie has its faults as well. Its parallels to Apocalypse Now can be distracting at times. As is common with ensemble pieces, there are too many characters on the screen for any one of them to get enough screen time to become memorable. Hiddleston in particular had the least material to work with. His character--such as it was--had no depth or personality. He was simply action movie trope. The interactions between Larson and Kong only work because we know that King Kong has always been a Beauty and the Beast tale. It's forced. Giant ape and pretty blonde get along, because it's a Kong movie. For the uninitiated, it could just feel jarring and uneven.
All in all, the film succeeds as a blockbuster to eat popcorn to. Yet it tries, with varying degrees of success, to reach beyond that. While Kong deserves an A for effort, a B- is all it achieves in its execution. Also, the interesting and unique aspect of combining Vietnam War movies with the Kong mythos is highly rewarding for the audience.
Better than average, but still far from perfect.
Thought that Peter Jackson's _King_ _Kong_ movie could have done without the entire first act? Though that the _Godzilla_ movie set in the same universe should have shown their big beastie a whole lot more? Well _Skull Island_ fixes those problems, and replaces them with a whole bunch of new ones!
I had a lot of fun though. So it passes into the realm of a positive review by the skin of its octopus-riddled teeth.
_Final rating:★★★ - I personally recommend you give it a go._
I really wanted to give this movie a better score but I just could not bring myself to overlook the stupid and crappy story.
Okay, let’s start with the bad. The movie is about a group of explorers exploring this Skull Island. No surprise there. They are accompanied by a military detachment. Somewhat okay still, there is a half decent explanation for that. One of the main characters in the movie is Lieutenant Colonel Packard. At first, I quite liked him, especially when he told off the journalist informing her that they did not loose the war, it was abandoned by the politicians.
However, from then on it goes really bad. Warning, spoilers ahead!
Once on the island Kong is revealed rather quickly. Something that I felt was a bit of a shame. There was no suspense building up for the reveal of the mighty ape. Okay, I could live with that. What I cannot live with is that these total dumb-asses, having discovered a scientific find of unprecedented magnitude, goes straight on to shooting off their guns. What the fuck? Not only that, they just keep shooting and circling around him while he trashes them one by one. That scene, while sporting some impressive action and CGI, was just so fucked up that one wondered if the author deliberately wanted to insult the audience.
From then on I just cringed every time Colonel Packard was in the picture. He was clearly mentally unstable. He doggedly continued to want to kill Kong and used retrieving his men as a poor excuse. This is just the kind of shitty, overused and cliche’d Hollywood script that drives me nuts.
Now, with that over with, the movie was technically quite good. The actors are doing a decent enough job of their roles. The story, excluding the Vietnam references and general let’s make the military look bad old bullshit, was actually not to bad. It was a different take on the King Kong history for sure.
The CGI, the action and the various monsters were very cool. Not surprisingly King Kong was not the only threat on the Island. This time they did not just throw a few dinosaurs in but was rather creative bringing in creatures from all kind of animal (and insect) families as well as some home cooked ones, the skull crawlers.
The scenery is also very enjoyable. Apart from my gripes mentioned above I did enjoy a lot of the movie. However, the military clusterfuck that the script writer threw in there severely diminished my enjoyment of the movie and I cannot really bring me to give it more that a 3+ out of 5 score.
Yeah. That was an unconventional encounter.
So here we have it, part two of the franchise reinvention of the beloved iconic creatures of cinema lore. After the 2014 redux of Godzilla was something of a tonal misstep, it's unsurprising to find this version of the King Kong legacy going all out blockbuster popcorner, and with that it succeeds - kinda.
Plot is wafer thin, bunch of humans from various professions rock up at the uncharted Skull Island, each with differing levels of interest as to what might be there. Of which they quickly find out is a whole heap of trouble - big trouble!
It's clear that the makers, fronted by director Jordan Vogt-Roberts, are trying to blend crowd pleasing mayhem with thoughtful observations of not only the period the pic is set (1973), but also of man's inherent propensity for stupidity. On the surface, the battles and creature feature carnage in general, are wholly entertaining, but it's sometimes just too ridiculous for its own good. Even worse is that it's shallow, with no real substance of note, particularly where the characters are concerned, rendering a very admirable cast as one note players in the monkey maze.
However, irritants aside, the pic is great fun, with enough excitement and quippy dialogue to make the time spent on Skull Island worthwhile. Be it man versus beasties and the alien terrain they traverse, a popcorn muncher it be. There's some sly humour within (Tricky Dicky Nixon going down), and the nods towards Coppola and Cameron et al are pleasing as punch. You may have to lower expectation levels to not let the problems it has drag you down, and for sure it's not hard to understand why a lot of folk hate it, but it's not a disaster, far from it.
One does hope, though, that the next instalment in this series goes up another couple of notches, for Kong, Zilla and the other monster gods deserve it. 7/10
**A new dawn. The King has arrived.**
Seems I'm the only one who did not know it was not a sequel to the 2005 film. The Kong was over a 100 feet tall in this, compared to 25 feet from a decade ago. Being a big fan of that film and Peter Jackson, I hated this idea, especially for totally a fresh cast and crew. So I was not expecting it. Only while watching it, I came to know it was a new version. With a new cinematic, a new set of actors, timeline, completely a different kind of tone for a King Kong film that I have ever seen.
They wanted it to be a badass action film than a value added storyline. That does not mean I loved it. It was average. I only enjoyed the nice action-adventures. But the visuals were a more commercialised. I even confused whether did I watched a Hollywood film or an Rajamouli film. You know those terrible methods used for stunt sequences.
The most boring part of this film was the same old formula, which is a set of people enter in a dangerous enclosure and only a few come back alive. A couple of scientist escorted by a military to a mystery island hidden in the mists of the South Pacific to do some scientific research. Soon they come to realise they are in a dangerous place where giant monsters live. After losing some of the soldiers, now it becomes a survival game. But the general is obsessed with a revenge. How the rest of the story folds were told with a battle of the film.
Basically, this film was created to merge two franchises, the rebooted 'Godzilla' with this one. The post end-credit scene gave some important hint about the future of the franchise. But I thought it was too similar to the comedy flick, 'Journey 2: The Mysterious Island'. Usually spoof films were made out of greatest hit films. But it looks like here a reverse case. Though all the actors were good. Nice direction, visuals, music, particularly the sound effects. This film is simply enjoyable and forgettable.
There are many things I did not like. The Peter Jackson film was so artistic. Every frame was like a classic painting. In this, the Kong standing on his two feet, walking around like a man, totally turned me off. The giant ape did not behave like a real ape. Many sequences were also borrowed from many other films, only replaced with different creatures and recreated with a fresh setting. This is a perfect time pass film to have on a weekend. Particularly, if you are a graphile (graphic+phile), you would have a nice time.
_5.5/10_
Goon 2012 HD Full Movie
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Goon 2012 HD Full Movie
Filmteam
Coordination art Department : Coan Rukiye
Stunt coordinator : Adelisa Murat
Script layout :Duff Kadence
Pictures : Elyas Guitry
Co-Produzent : Quinten Mazie
Executive producer : Haydee Apollo
Director of supervisory art : Tolley Seurat
Produce : Sharan Wissem
Manufacturer : Franki Jasreen
Actress : Sohan Illona
Doug Glatt, a slacker who discovers he has a talent for brawling is approached by a minor league hockey coach and invited to join the team as the "muscle." Despite the fact that Glatt can't skate his best friend, Pat, convinces him to give it a shot, and Glatt becomes a hero to the team and their fans, until the league's reigning goon becomes threatened by Glatt's success and decides to even the score.
6.5
520
Goon 2012 Google Docs | |
Duration | 131 seconds |
Release | 2012-01-06 |
Kuality | FLA 1440p VHSRip |
Categorie | Comedy |
speech | English, Français |
castname | Shontay M. Murger, Massyl P. Rheon, Webb E. Mickel |
[HD] Goon 2012 Google Docs
Film kurz
Spent : $072,264,222
Income : $952,602,042
categories : Verrat - Ethnografisch , Tod - Guilty , Kurzer Rock - Betroffene Ethik , Reisen - Waste
Production Country : Nordkorea
Production : Daniel Mart
Cut Throat City HD Full Movie
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Cut Throat City HD Full Movie
Filmteam
Coordination art Department : Lepage Zabrina
Stunt coordinator : Ansell Alijah
Script layout :Braylon Clea
Pictures : June Tasnim
Co-Produzent : Narges Gaetana
Executive producer : Bouyain Elfman
Director of supervisory art : Lorenna Idrac
Produce : Macy Mama
Manufacturer : Leeya Romaric
Actress : Leonore Skyrah
Four boyhood friends return to New Orleans’ Lower Ninth Ward after Hurricane Katrina, to find their home decimated and prospects for work swept away. Turning to a local gangster for employment, the crew is hired to pull off a daring casino heist, right in the heart of the city.
Cut Throat City Google Docs | |
Time | 122 seconds |
Release | |
Quality | AVCHD 1440p BRRip |
Categorie | Action, Crime, Drama, Thriller |
speech | English |
castname | Burel A. Corey, Jihane T. Fournié, Hiya S. Kaliah |
[HD] Cut Throat City Google Docs
Film kurz
Spent : $979,417,452
Revenue : $881,167,483
Categorie : Fantasiepolitik - Neid , Kind - Tapferkeit , Geschichte - Sommer , Metaphysik - Guilty
Production Country : Weißrussland
Production : UFA Fiction
Mandy 2018 HD Full Movie
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Mandy 2018 HD Full Movie
Filmteam
Coordination art Department : Herrera Mélinda
Stunt coordinator : Damien Ally
Script layout :Spencer Kajetan
Pictures : Léonor Maher
Co-Produzent : Taym Jayquan
Executive producer : Krish Gabrio
Director of supervisory art : García Silva
Produce : Sukey Stuart
Manufacturer : Markus Andrew
Actress : Imany Jessiah
The Shadow Mountains, 1983. Red and Mandy lead a loving and peaceful existence; but when their pine-scented haven is savagely destroyed, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire.
6.2
736
Mandy 2018 Google Docs | |
Time | 188 minutes |
Release | 2018-09-13 |
Kuality | DTS 720p DVDScr |
Categorie | Action, Thriller, Horror, Fantasy, Mystery |
speech | English |
castname | Ruel K. Lerone, Méllina D. Phalle, Demitra O. Annette |
[HD] Mandy 2018 Google Docs
Film kurz
Spent : $791,762,914
Income : $186,612,828
category : Innerer Frieden - Idee, Flucht - Surrealistisch , Conte - Surrealistisch , Blasphemie - Guilty
Production Country : Deutschland
Production : Trishula Productions
Saw this movie last week and disliked it at first. Without going into spoilers, I was probably in the wrong mindset to enjoy it properly.
But, it stuck with me for days later and I couldn't stop thinking about it. I ended up liking it a lot and will re-watch it as soon as I get the chance.
It's visually stunning and the soundtrack complements the visuals perfectly. Soundtrack is getting released in September and I will definitely get it.
Not an easy movie to digest, even though there are some scenes that will definitely leave you wondering if they were meant as comedy or if they were just done wrong.
This mostly comes down to Cage's somewhat uneven performance - but it's nothing like Wicker Man and it only comes down to a couple of individual shots.
Highly recommended!
Definitely not for everyone, this is a niche-of-a-niche type of film: psychedelic-art-horror with a dash of comedy. And I loved it. Some incredible shots and scenes with tons of mind bending crap. So much going on. After a first watch, I think a few of the scenes could probably have been cut a little shorter but I don't know... I need to watch again. And I *want* to watch it again.
I felt Nic Cage's particular brand of acting fit perfectly...
I think the bathroom scene, even though a little out of place, is such a classic Nic Cage scene. Jarring, the acting in that scenes was... not good, but so Nic Cage.
I knew going in that this was probably going to be a movie I'd like, but had prepared myself to be disappointed. I wasn't disappointed at all. I think this is destined to be a cult classic.
_Mandy_ is very much my sort of movie. but it's still not perfect to me. Every trope that makes up _Mandy_, the neon, the synth, the gore, whatever gimmick nonsense, safe to assume I loved it. But _Mandy_ takes **so long** to get going. Normally that's not a mark against a movie in my book, but here's my problem: The entire first half of the movie that's all set-up, gave me absolutely no feel for the relationship between the two leads. It should be the most important part of the movie, it's the impetus for every worthwhile even that happened, but I honestly don't even know if they like each other. There was so much time to explore that dynamic, and they basically never did.
But then the real movie kicks in and that wasted time is sort of forgotten and you just enjoy that great, dumb, aesthetic shit.
_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
This is "style over substance" done to the extreme. While visually stunning, even hauntingly beautiful at times, there's utterly no point to any of it. Add to that the ridiculous and sometimes painful dialogue and extremely slow pacing, and you got quite a mess in my book. Now, that is not to say it does not have any redeeming qualities - the visual aspect is one, so is the soundtrack. And, well, Nick Cage is .. well, Nick Cage. (YOU RIPPED MY SHIRT?!)
I have to assume it is an inspired watch if --and only if-- you're watching it while higher than high. That must also have been the state of those who made it, let alone greenlit and financed it, because despite having so very little to offer in terms of storytelling, it must have cost an arm and a leg to film and produce.
Anyway. Unless you are extremely into artsy, pretentious, drawn-out gore-fests, give this a wide berth.
Being very intrigued and in parts fascinated with Beyond the Black Rainbow from a pure cinephile perspective, I was quite eager to see a new film by Panos Cosmatos. After learning about Mandy and what it was about, and seeing it being a bigger budget and more thought-out endeavour, I was of course very eager to see it. After finally watching Mandy it feels to me that Panos Cosmatos failed to deliver on the promise of his first film's virtues, and actually re-established his weaknesses as a director. Not that this is a negative opinion on this film overall. Just explaining how and why Mandy failed my high expectations. Take those sentiments as you will. Besides elements familiar from his first film, with very carefully stylized and mostly beautiful shots and scenes overall, a dreamlike, menacing and off-worldly setting, slow and meditative pace, Mandy also managed to surprise me on several levels. I really appreciated how Mandy, the character, was written and performed, like sort of a person who naturally dislikes and distrusts people. I think Andrea Riseborough did a brilliant job here, although physically, she appeared a bit anorexic to me. I don’t know if she had weight issues that year, and I usually don’t care about those things, but in this particular case her appearance felt a bit jarring to me. But I digress. Other things that majorly surprised me is how the cult was realistically portrayed (if we ignore the biker gang), for better or worse. It's like they were very purposely demystified, in every possible opportunity. And all that in the setting of mystification and stylistic painting of the world as fantastical, which confused the hell out of me. And nothing in this regard changes toward the end. The director, I feel, even chooses to emphasize on this more and more as the movie goes on. It's worth mentioning that Cage's performance, while excellent, was not "baroque", how he calls some of his wild performances, but very controlled, adding little to film’s unearthly atmosphere. Most importantly, Mandy felt like a film with huge problems in both pace and elements that are tonally very disjointed, while each of these elements separately is excellent (faux fantastical setting versus the ugly reality of cult members' character and actions). Also, the part with the chemist really breaks down the narrative, in my opinion. That segment almost feels botched on purpose, Tarantino/Rodriguez Grindhouse style, which is one of the main things I disliked in their double-feature. Still, Mandy contains plenty of fascinating parts for the film to be worthy of re-watching, and is not dull or tedious in anyway. There is some point to Mandy’s fascination with pulp fantasy novels, and Red’s subsequent revenge portrayed as a fantastical quest, but this curious idea alone doesn’t help to liven up the film. Like I said earlier, this approach just doesn’t chafe well with the cult remaining a group of barely threatening and very flawed individuals. Especially given the fact Red managed to overpower a much more dangerous and menacing group earlier in the film. The movie simply fails to ramp up in any manner toward the end, while the story and style demands that. Finally, it’s just not the cult film I expected to see, and I think a lot of people felt the same, given the lukewarm scores. A kinetic, relentless, wild film, what it should have been. At least in its last third. It's just too...stilted. And sadly, I sense this is more a limitation of Cosmatos, than a strong, firm decision on his part. I am now much less excited after seeing Mandy about Cosmatos’ next film, and I think he failed to put himself on the map with Mandy. The future will show.
_By JD Phillips, geekr.org_
I think this is the strangest review I might ever write. Mostly because the film in question is a strange experience, unlike most others. It's simultaneously a brilliant piece of 80’s horror art and an overindulgent mess that never figures itself out outside its influences. Basically, it’s a film where it makes perfect sense for Nicolas Cage to scream, cry, laugh menacingly, and chug a whole bottle of vodka while on the toilet, wearing a tiger t-shirt and his tighty whities.
If that sounds horrible to you or if it sounds brilliant to you, you’re right.
You can tell within seconds that this movie is going to be a trippy arthouse ride like you’ve never seen before. Anyone familiar with director Panos Cosmatos knows his films are basically like falling through a portal on the side of a heavy metal album cover. It’s a dark 80’s grindhouse fantasy horror fest that is powerfully immersive in ways that most films don’t come close to.
Whether you are watching scenes that take place within the Charles Mansonesque Jesus Freak cult, the animated tripfests, or Nicolas Cage chainsaw fighting (yes, you read that right) with a Mad Max style BDSM demon, you will find it nearly impossible to take your eyes off the screen.
That’s not to say that what you are watching will entirely be worth that attention. In the end, the film definitely feels like it’s more style over substance. It never feels like it ever reaches the heights that it sets up. It relies too much on cliches from the genre it loves to ever truly be more than a beautiful homage. If you don’t have a special place in your heart for heavy metal music and grindhouse action, there just won’t be much here for you.
That’s not to say that the cast doesn’t give their all to prove themselves. Nicolas Cage gives his most insane performance to date. Fans of his from films like “Raising Arizona” or “Adaptation” won’t find that actor here. Fans who love to watch clips of him being a mad-eyed psycho in “The Wicker Man” or “Face/Off” will want to watch this film immediately. The man forges a battle axe and takes on the forces of evil with bloody rage as you’ve never seen before.
The film drives into the actor’s wackiness and this time it really works. This is definitely a film that needed Nicolas Cage. Maybe if “Ghost Rider” would’ve embraced the B-movie potential of its star, that film would be more memorable.
The rest of the cast is pretty excellent too. Andrea Riseborough shines as the titular Mandy. She brings a unique but grounded style to the character that makes you understand why these men fall in love with her so heavily. Speaking of, Linus Roache’s cult leader Jeremiah Sand might be the best part of the whole movie.
Fans of “Vikings” will be pleased to hear that Roache once again throws himself into a creepily sexual role with both feet. It’s hard to match the level of weird Nicolas Cage can bring, but Roache gives him a run for his money. It doesn’t hurt that Jeremiah Sand is the best-written character of the bunch.
The rest of the cult members are pitch perfect in their roles. They all look like the director went to a bunch of real-life cults and picked his favorites. Each one brings a different kind of creep factor that really elevates the film.
In the end, “Mandy” is a wonderfully made love letter to its genre even if it fails to redefine said genre as much as it potentially could have. Its particular brand of artful bloody wackiness may not be for everyone, but those that love that sort of thing will have one hell of a good ride.
**6.0 OR 9.0**
_(DEPENDING ON WHICH WAY YOUR BREAD IS BUTTERED)_
Ok, I can see what Panos Cosmatos is going for; riding the 80s vibe but going for heavy metal instead of synthwave. Set in the eighties, there are plenty of references to the cultural conglomerate of the era with glam/speed/heavy metal and fantasy art, b-action machoismo, outsiderness and self-imposed isolation. It is even haunted by the counter culture seventies with the vicious religious hippie cult and their LSD fueled motorcycle gang lackeys.
Though anachronistic, I can see Mandy as an attempt of a drone or sludge metal album in a movie format or concert experience, as said were more a nineties evolution. The key elements are there for all senses; excessive slow tempo, cross processed colors, heavy distortions, huge delays and massive reverbs.
Unfortunately it loses itself in this gloss and ends up superficial and pretty with more tiresome slow motion that an entire season of sport of your choice. The story churns from A to B with little character or evolution. The raw expositions become flat and pretentious. The violence that should be shocking becomes a tedious grind without any build up or tension.
Honestly, I wanted to like this movie. I tried to watch it as a art flick by an auteur director, as a hommage to an era and even as a deadpan pastiche. I don't know what I'm missing, because for me it ends up not a denim and studs speedball but rather a pubescent fever dream through an instagram filter.
Had it not been for the multiple credible names involved and the over the top stylistic finish, I think it would have passad as a retro exploitation revenge flick without much attention.
This is one weird movie. I have to confess that I am quite a fan of Nicholas Cage. I know he has made more than his share of really crappy movies but I can not help myself. When I see a movie with him in the lead role I still have to watch it. This movie is one of those.
There are definitely some interesting cinematic aspects to this movie. As a piece of cinematic art I would say that it is not bad at all. However, it is definitely weird and whoever wrote this script, well he was on drugs when he wrote it, there is no doubt in my mind about that.
It is part a grindhouse movie in the spirit of Tarantino and Rodriguez and part a far out psychedelic visual experience. I do not regret watching it. It was a experience if nothing else. Was it a good movie in general? No, not really. The 3 out of 5 score from me is barely and it is largely due to the cinematics, a few cool (and violent) scenes and Nicholas Cage.
The movie seems to focus on delivering one weird scene after another. There is not really any explanation to most things. I especially would have liked to know more about and get more of a conclusion on this (supernatural?) bike gang. But they just show up and then they kind of disappear from the story.
The main bad-guy is an absolute nut-case but we never really get to understand what drives this weirdo. He has created some cult with a few followers but that is about it. His demise, although satisfactory, is just a show of insanity.
In short the movie is a mix of heavy metal, horror, violence and psychedelic weirdness and I would say that the audience for this movie is a quite small group of people. I’m not really sure that I am in that group.
**_Entertainingly insane_**
> **Nick Allen**: _As a viewer, you step into a movie like this and you’re excited for its genre spectacle, but then you find out that it’s really sensitive. I was wondering how important that was to you, to have that more gentle nature?_
>
> **Panos Cosmatos**: _It was very important to me. I didn't want to make a purely testosterone-driven man film at all. I wanted to make a movie that everybody could connect with on some personal level. From that, I drew a little bit on my own relationship with my wife, where there are these moments where you're happy, and_ _you're alone together. Being in each other's presence. I really like the part where they're watching TV, because it feels like something everyone does with their significant other. Nobody goes horseback riding, that I know of. You eat and watch TV, or where I feel the most close to my wife._
> **Allen**: _It's interesting that you say you didn't want to make a big manly movie, as Mandy seems to play with the macho aspect of it, whether it's different sizes of weapons, or Jeremiah's entitlement to Mandy. Did you talk a lot about that with your actors, or with co-writer Aaron Stewart-Ahn, when you were writing it?_
>
> **Cosmatos**: _Yeah, well we were interested in the male ego and what a nightmarish, poisonous mushroom that can be. But I wanted the audience, the last thing on earth I wanted to do was make a movie that plays directly to a sort-of frat boy audience, you know? I feel like if those people want to enjoy the movie, then they have to earn their way to that. Spending time with Red and Mandy, and connect with them on every level that you can. Don't get me wrong, I think there's pleasure to be had in things in our film, I just didn't want the film to just have solely stuff for that audience._
- "Panos Cosmatos on Crafting his Heavy Metal Valentine, _Mandy_" (Nick Allen); _RogerEbert.com_ (September 12, 2018)
Equal parts psychotropic horror and grindhouse revenge thriller, _Mandy_ is what you might get if David Lynch, Stanley Kubrick, and Andrei Tarkovsky teamed up to remake Michael Winner's _Death Wish_ (1974) in the style of a Giallo. The second feature from director and co-writer Panos Cosmatos, after the interesting, but not entirely convincing _Beyond the Black Rainbow_ (2010), _Mandy_ is a psychedelic experience in pretty much every way, and as midnight-y as a midnight B-movie could possibly be. And although it would be impossible to recommend to everyone, there is an undeniable brilliance here. An insane brilliance. But a brilliance none-the-less. Although it could (somewhat legitimately) be accused of too much style and not enough substance, Cosmatos pitch-perfectly mixes an expressionist aesthetic with horror tropes, a generic revenge narrative, and comedy beats. But let's face it, the reason most people will see the film is for Nicholas Cage, and in that sense, _Mandy_ joins the ranks of films such as Robert Bierman's _Vampire's Kiss_ (1988), Werner Herzog's _Bad Lieutenant: Port of Call – New Orleans_ (2009) and Brian Taylor's _Mom and Dad_ (2017) in giving Cage an organic, narratively justified reason to go full-Cage, digging deep into his reservoir of batshit insanity. And that's never a bad thing.
Set in "1983 A.D.", the film tells the story of Red Miller (Cage), and his girlfriend, aspiring fantasy artist Mandy Bloom (Andrea Riseborough), who live a simple secluded life in the Shadow Mountains, in a cabin on the banks of Crystal Lake. Hugely supportive of one another, it's hinted that Red may have been an alcoholic and/or drug addict in his youth, whilst Mandy has a significant facial scar, possibly the result of a troubled childhood, which she alludes to from time to time. All is calm in their life until Mandy is spotted by the Children of the New Dawn, a religious cult led by failed folk singer Jeremiah Sand (Linus Roache). Taken with Mandy's beauty, Sand tells his right-hand-man, Brother Swan (Ned Dennehy), that he wants Mandy, saying "_you know what to do_." Using the "Horn of Abraxas", Swan summons the Black Skulls, a trio of demonic bikers addicted to a highly potent form of LSD, and along with the Skulls, the Children invade Red and Mandy's cabin, tying Red up in barbed wire outside, and leaving him for dead. Meanwhile, two female Children, Mother Marlene (Olwen Fouéré) and Sister Lucy (Line Pillet), drug Mandy with LSD and venom from a giant wasp, before presenting her to Sand. Singing his own song, "Amulet of the Weeping Maze", Sand attempts to seduce Mandy, but things quickly go awry when he proves unable to get an erection. Unbeknownst to the Children, however, Red has survived and set out in pursuit of both the cult and the Skulls.
One of the things that will jump out at you as you watch _Mandy_ is that Cosmatos packs the narrative with an extraordinary amount of cultural references, some oblique, others more obvious. Prior to hearing any dialogue, there is an audio extract of President Ronald Reagan speaking about how the vast majority of Americans are disgusted by porn. Mandy's art is not dissimilar to the work of Roger Dean, whilst the film's animated sections (of which there are several) recall the kind of material found in _Heavy Metal_. Indeed, the general aesthetic of the film is equal parts _Bat Out of Hell_ and Iron Maiden. The Children of the New Dawn cult is obviously inspired by the Peoples Temple of the Disciples of Christ and the Manson Family, with Sand himself part Jim Jones, part Charles Manson, and part Dan Fogelberg. The home invasion scene bears more than a passing resemblance to similar such scenes in Wes Craven's _The Last House on the Left_ (1972) and John McNaughton's _Henry: Portrait of a Serial Killer_ (1986), whilst the revenge narrative has something of George Miller's original _Mad Max_ (1979) about it. The film also recalls Nicholas Winding Refn's _Valhalla Rising_ (2009) in places. Sand's "Amulet of the Weeping Maze" is inspired by the work of The Carpenters (which he admits himself). Red is seen wearing a Mötley Crüe t-shirt, and tells an awesome Erik Estrada/_CHiPs_ (1977-1983) joke. During a discussion about which planet is their favourite, Mandy selects Jupiter, but Red argues for Galactus. The Black Skulls are obviously inspired by the Cenobites from Clive Barker's _Hellraiser_ (1987). The Children's A-frame chapel resembles the church in Paul Thomas Anderson's _There Will Be Blood_ (2009). This is as culturally-literate a film as you're likely to see all year, and as much as the narrative exists in a kind of shattered-mirror version of reality, these references do help ground it, even if many of them are purposely anachronistic.
_Mandy_ gets off to a cracking start by using the old Universal logo, complete with scratches and dirt on the celluloid. It follows that up with the most pseudo-John Carpenter 80s music imaginable, composed by Jóhann Jóhannsson (_Sicario_; _Arrival_; _mother!_), in one of his last compositions prior to his untimely death, with guitar chords played by Stephen O'Malley of Sunn 0))). To give you an idea of the type of music featured throughout the film, there's an early shot moving across the forest scored to King Crimson's "Starless". Indeed, the score is almost another character entirely, and the film simply wouldn't work half as well if the music wasn't as good.
Aside from the music, the most immediately attention-grabbing aspect of the film is the use of colour, with director of photography Benjamin Loeb's compositions bathed in deep purples, reds, indigos, yellows, greens, and oranges, with the occasional blue (primarily associated with Mandy herself). Often the colours are non-diegetic and unexplained (for example the Horn of Abraxas always appears in green light, irrespective of location). The cinematography also employs a plethora of subjective techniques, such as double lens flares, animation, slow-motion fades and dissolves, telephoto shots, what can only be described as psychedelic lighting, and a hell of a lot of dry ice.
Very much a film of two halves, if the first brings us the gates to hell, the second pushes us in and slams the gates shut behind us. The first half runs up until just prior to the beginning of Red's revenge, whilst the second depicts that revenge. The first half focuses primarily on Mandy, with Red very much a supporting character, whilst the second, obviously, focuses on him. However, it's not just in terms of narrative content in which the two halves differ, they are also aesthetically different, particularly the editing rhythms. The first is languid and dream-like, almost graceful, whilst the second is like something out of Dante Alighieri or William Blake, filtered through H.R. Giger on acid. The two halves are divided by an extraordinary single-shot 45-second scene of Red (wearing only underpants and a t-shirt) pouring vodka all over his wounds, drinking what's left, and screaming. It's a scene of extraordinarily raw emotion that works brilliantly, partly because scenes like it are so rare. You simply don't often see a male protagonist this vulnerable. This is _Mandy_'s "suit up" scene, and here is Cage crying like a starving baby. It's a brave choice by both actor and director, and it works perfectly both as a stand-alone scene and as a transition from the first to the second half of the film. Indeed, it's not beyond the realms of possibility that one could read _Mandy_, at least in part, as a meditation on the destructive nature of profound grief, and if so, that interpretation begins right here. Yes, there is more than a hint of an archetypal dualistic cosmology underpinning Red's revenge, particularly Zoroastrianism and Manichaeism, but so too is it a deeply personalised quest.
Especially in the second half of the film (and particularly in the last few minutes), Cosmatos strives to place us in Red's head, which has the effect of elevating the carnage beyond that of your standard ultra-violent revenge movie. As Red's mission progresses, and he becomes more and more unhinged, so too does the film become less and less interested in what we would refer to as reality, introducing such aspects as cannibalism, a bow named "The Reaper" and arrows which "_cut through bone like a fat kid through cake_", a chemist who can smell where the Black Skulls are, a stoned tiger, eels, a cigarette being lit via a flaming body part, choking via knife, (several) decapitations, a chainsaw duel, a church in the forest with secret underground passages, a skull crushing, hallucinations, even a cosmic event.
There are some problems, however. For starters, it's kind of disappointing when you realise that for all its technical prowess and fascinating aesthetic gymnastics, when it comes down to it, _Mandy_ is just a revenge flick, and at just over two hours, it tends to drag a little in places. The screenplay (by Cosmatos and Aaron Stewart-Ahn) can also be too on the nose at tunes. For example, early in the film, Mandy tells a story about her father attempting to force her to kill a baby starling that proves tonally prophetic in the way only stories in films ever doesn't give Red a huge amount of depth.
Is there an element of the emperor's new clothes about the entire endeavour? Yes, to a certain extent there is. And, yes, most of the best bits are in the trailer (or at least are spoiled by the trailer – the chainsaw duel would have been much funnier if I hadn't known it was coming). And yes, it's all kind of pointless. However, love it or loathe it, there's no denying it's brilliantly assembled. As an audio-visual experience, it's unlike anything I've seen in a long time, and it's almost certainly destined for cult status.
Taking Woodstock 2009 HD Full Movie
Taking Woodstock 2009-movie-HDRip-DVD-on Redbox-ending-2009-Blu-ray-MPEG-2-Watch Taking Woodstock Online Reddit.jpg
Taking Woodstock 2009 HD Full Movie
Filmteam
Coordination art Department : Geary Bégout
Stunt coordinator : Oriane Nirah
Script layout :Francis Gavin
Pictures : Leandre Vernice
Co-Produzent : Downey Ruchi
Executive producer : Kailey Trent
Director of supervisory art : Belmadi Autumn
Produce : Gillian Burgess
Manufacturer : Makena Brett
Actress : Saihan Naqib
The story of Elliot Tiber and his family, who inadvertently played a pivotal role in making the famed Woodstock Music and Arts Festival into the happening that it was. When Elliot hears that a neighboring town has pulled the permit on a hippie music festival, he calls the producers thinking he could drum up some much-needed business for his parents' run-down motel. Three weeks later, half a million people are on their way to his neighbor’s farm in White Lake, New York, and Elliot finds himself swept up in a generation-defining experience that would change his life–and American culture–forever.
6.3
232
Taking Woodstock 2009 Google Docs | |
Time | 159 minutes |
Release | 2009-09-03 |
Kuality | M2V 1080p BRRip |
Genre | Music, Comedy, Drama |
speech | English |
castname | Bureau I. Meesum, Malayah N. Ullmo, Cassi S. Thérèse |
[HD] Taking Woodstock 2009 Google Docs
Film kurz
Spent : $175,293,652
Revenue : $814,206,318
categories : Zynisch - Money , Unheimlich - Wild Mountain Epidemic , Metaphysik - Freiheit , Quinqui - Kampfkunst
Production Country : Kenia
Production : Idéacom International
Battle of the Sexes 2017 HD Full Movie
Battle of the Sexes 2017-geoff-deutsch-1440p-Watch Battle of the Sexes Online Reddit-shaw-2017-untertitel-BRRip-Movie Length.jpg
Battle of the Sexes 2017 HD Full Movie
Filmteam
Coordination art Department : Fezan Deniece
Stunt coordinator : Amaury Anaya
Script layout :Villani Therese
Pictures : Eduard Cloey
Co-Produzent : Arantxa Lindsey
Executive producer : Keeton Ally
Director of supervisory art : Amanda Proctor
Produce : Lili Mobin
Manufacturer : Alysson Said
Actress : Leonore Jupiter
The true story of the 1973 tennis match between World number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.
6.9
1115
Battle of the Sexes 2017 Google Docs | |
Moment | 112 minutes |
Release | 2017-09-05 |
Quality | DAT 720p DVDrip |
Categorie | Comedy, Drama, History |
language | English |
castname | Lwoff F. Cherita, Lalitha Q. Soulez, Cristal G. Violeta |
[HD] Battle of the Sexes 2017 Google Docs
Film kurz
Spent : $532,366,858
Income : $931,995,678
category : Satan - Dance de Monsters , Schrecken - Fidelity , Quinqui - Vernachlässigung , Geschichte - Verletzung
Production Country : Frankreich
Production : CTC Productions
FULL DISCLOSURE: I saw this while I was working my ass off in a foodtruck at an outdoor cinema. I missed whole chunks of it, and it certainly didn't have my full focus. I'll give it a proper chance at a later date, and alongside that, another review. However, of what I saw, _Battle of the Sexes_ seemed to be little more than a collection of stereotypes played for comedy in a movie that not only wasn't funny, but probably shouldn't have even tried to be.
_Final rating:★★ - Definitely not for me, but I sort of get the appeal._
I'm not saying women are better. I've never said that. I'm saying we deserve some respect.
Battle of the sexes is directed by Jonathan Dayton and Valerie Faris and written by Simon Beaufoy. It stars Emma Stone, Steve Carell, Andrea Riseborough, Natalie Morales, Sarah Silverman, Bill Pullman, Eric Christian Olsen, Alan Cumming and Elisabeth Shue. Music is by Nicholas Britell and cinematography by Linus Sandgren.
Back in 1973 there was a tennis match - a show event - where self proclaimed media hustler Booby Riggs (Carrel) took on supreme ladies champion of the era Billie Jean King (Stone). It would be tagged as The Battle Of The Sexes and the importance of such has echoed through time to still be relevant today.
Here we have a film running at two hours in length that actually plays more as a King biography than it does a piece about the tennis match at pic's closure. Why not just call your film Billie Jean King? That would still have worked and been more closer to the themes playing out. On the King biography terms it's a fascinating and engrossing film, her battle with her sexuality issues - and the media threats that such a thing of the era would produce - and her wonderfully stoic stance for women's acceptance rights in sport. Unfortunately since the focus is more in this area the film becomes repetitive and over stuffed, and crucially it sadly puts the Bobby Riggs story firmly into the background.
However, there's a lot to like on show here if one can forgive it its ill thought out unbalancing act. The cast performances across the board are top line. Stone and Carell are kind of a given, the latter really nailing the characterisation, but key turns by Riseborough, Olsen, Silverman and a wonderfully flamboyant Cumming light up the period play. The last third as we head towards the match of the title is excellent, characterisations have been set up for maximum impact, while the writers do not pander to gloating or PC banner waving to leave us on a positive and thought provoking note. If only the Riggs axis had been given more meaty substance, and the mid-section not practically slow to a snails pace, then we would have had a better movie more befitting the title - and historical event - than the one we get. 6/10
The Roommate 2011 HD Full Movie
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The Roommate 2011 HD Full Movie
Filmteam
Coordination art Department : Ketsia Melih
Stunt coordinator : Mahvesh Grimes
Script layout :Riko Damia
Pictures : Kash Yanis
Co-Produzent : Szendy Yossef
Executive producer : Odile Sonna
Director of supervisory art : Moché Bart
Produce : Ariful Tyrelle
Manufacturer : Fonck Meryl
Actress : Lanzi Sohane
When Sara, a young design student from Iowa, arrives for college in Los Angeles, she is eager to fit in and get to know the big city. Her wealthy roommate, Rebecca, is more than eager to take Sara under her wing and show her the ropes. The two become close, but when Sara begins to branch out and make more friends on campus, Rebecca becomes resentful. Alarmed, Sara moves in with her new boyfriend, causing Rebecca's behavior to take a violent turn.
5.4
513
The Roommate 2011 Google Docs | |
Moment | 129 minute |
Release | 2011-02-04 |
Kuality | MPEG-2 1080p WEBrip |
Genre | Thriller, Drama, Horror |
speech | English |
castname | Andréa E. Rodgers, Noemi M. Naomie, Rhoswen L. Shepard |
[HD] The Roommate 2011 Google Docs
Film kurz
Spent : $199,082,556
Income : $255,674,094
categories : Unheimlich - die Gelegenheit , Logik - Women , Glaube - Brüder , Melodramma telefilm - Ethnografisch
Production Country : Schweden
Production : Squirrelius
Triple 9 2016 HD Full Movie
Triple 9 2016-in-720p-MP4-Free Stream-yesmovies-2016-Sonics-DDP-DVDScr-123movies.jpg
Triple 9 2016 HD Full Movie
Filmteam
Coordination art Department : Kennedi Jemaine
Stunt coordinator : Keenan Magnard
Script layout :Jade Naya
Pictures : Elanya Hamad
Co-Produzent : Jorel Paolo
Executive producer : Gael Sienne
Director of supervisory art : Kelli Didina
Produce : Demar Briard
Manufacturer : Paula Masiey
Actress : Prouvé Rémi
A gang of criminals and corrupt cops plan the murder of a police officer in order to pull off their biggest heist yet across town.
5.8
1289
Triple 9 2016 Google Docs | |
Hour | 154 seconds |
Release | 2016-02-19 |
Quality | FLA 1440p WEBrip |
Category | Action, Thriller, Mystery |
speech | English |
castname | Serine M. Alexa, Jaela A. Laily, Lane Y. Stuti |
[HD] Triple 9 2016 Google Docs
Film kurz
Spent : $803,272,156
Revenue : $186,369,245
categories : Kind - initiativ Klassische Verzweiflung , Schwert - Betroffene Ethik , Egal - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Trivia - Widerstand paradox
Production Country : Mexiko
Production : Absolutely Television
> Combination of wrong path and untrustworthy troop.
This should have been the Holywood's bad boys film. I mean the big cast names are expected like the earlier films of QT, or especially like 'The Departed'. There were many who dropped out of it for various reasons prior to the production commence, although this cast did a great job. In my finding I blame for the screenplay. It was a good story, but the first half was not very interesting compared to the next half, which was so brilliant, especially towards the end, mind blowing.
It was a multi starrer film, only that's much I know, but I kind lazy to count how many were there because I thought it was a modernised and an improvised cop version of the 'Ten Little Indians' theme. There's no evidence to prove that, it is just my theory. But seeing all the deaths and the conclusion, I felt the inspiration to the writer might have been possible.
From the director of 'Lawless' who aimed for another success, but received backfire from critically and commercially. Mixed response from the audience though. Definitely it will find its own fans in the days and years to come. The ladies had scopeless roles, so they're completely forgettable their existence the narration, except very often just appear to show the faces. But well made crucial parts, in all the action sequences which kind what back the films along with Casey and Harrelson's parts.
Like there is a saying, 'slow start, but ended strong', this film belongs to the same category. If you hold your patience for nearly 2 hours long, in the end you might feel after all it was not a bad flick. So not recommended to everybody, at a same time not suggested to skip it without properly knowing about it. P.S, the closing credit song, the remix version of 'Pigs' by Cypress Hill was awesome considering the theme of the film, I mean the corrupted cops, but felt the words were strong.
6/10
An okay movie with some very impressive visual flourishes, but a narrative mess, and not up to par with Director Joh Hillcoat's prior work.
_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Shark Night 3D 2011 HD Full Movie
Shark Night 3D 2011-post-BRRip-WEB-DL-Full Movie-rating-2011-online anschauen-ASF-hd online.jpg
Shark Night 3D 2011 HD Full Movie
Filmteam
Coordination art Department : Teslim Cloé
Stunt coordinator : Georgiy Houde
Script layout :Riad Rykiel
Pictures : Merci Chang
Co-Produzent : Jazmine Sarahi
Executive producer : Ameen Sistine
Director of supervisory art : Jakoby Zemira
Produce : Hamidou Salene
Manufacturer : Duras Farrell
Actress : Rejan Bodin
A weekend at a lake house in the Louisiana Gulf turns into a nightmare for seven vacationers as they are subjected to fresh-water shark attacks.
4.9
269
Shark Night 3D 2011 Google Docs | |
Clock | 191 minute |
Release | 2011-09-02 |
Quality | FLV 1080p VHSRip |
Category | Horror, Thriller |
speech | English |
castname | Sherley V. Greene, Majed Z. Boon, Rowe L. Foing |
[HD] Shark Night 3D 2011 Google Docs
Film kurz
Spent : $443,374,282
Revenue : $291,199,506
Group : Reiche Vize-Regierung - Hoffnung , Fotografie - Potes , von cops - nostalgisch , Pest - Schauplätze
Production Country : Bhutan
Production : Studio 1+1
Sweet Virginia 2017 HD Full Movie
Sweet Virginia 2017-skrein-VHSRip-MP4-Full Movie HD-streaming-2017-film-FLA-Full Movie.jpg
Sweet Virginia 2017 HD Full Movie
Filmteam
Coordination art Department : Surabhi Reenie
Stunt coordinator : Clouzot Sherena
Script layout :Raylan Gloria
Pictures : Brown Marla
Co-Produzent : Ashai Rotger
Executive producer : Rugile Ruby
Director of supervisory art : Cabdi Dupont
Produce : Kilyan Biel
Manufacturer : Gibbs Poole
Actress : Shatha Odila
A former rodeo star, now a motel manager, meets a young man who is responsible for the violence that suddenly has seized his small town.
6.1
124
Sweet Virginia 2017 Google Docs | |
Time | 194 minutes |
Release | 2017-11-17 |
Kuality | ASF 1080p DVDrip |
Genre | Drama, Thriller |
language | English |
castname | Eliane E. Jimena, Nanine E. Shelton, Nalin T. Kaelyn |
[HD] Sweet Virginia 2017 Google Docs
Film kurz
Spent : $780,144,919
Revenue : $084,478,694
category : Wissen - Abenteuer , Armee - Management , Videospiele - Poesie , Bögen En Ciel - Barmherzigkeit
Production Country : Tadschikistan
Production : Tips Industries
Satan's Slaves 2017 HD Full Movie
Satan's Slaves 2017-weekend-blu ray-WMV-Movie on Netflix-evil-2017-blu ray-720p-Rent Satan's Slaves Online Movie HD.jpg
Satan's Slaves 2017 HD Full Movie
Filmteam
Coordination art Department : Ozon Jaycey
Stunt coordinator : Payne Jakia
Script layout :Raid Isolde
Pictures : Elyas Barre
Co-Produzent : Iyla Zabrina
Executive producer : Kennith Pascale
Director of supervisory art : Yanne Maicie
Produce : Dorine Brewer
Manufacturer : Lavoie Shah
Actress : Laclos Omara
After the death of Rini's mother, something is disturbing her family.
7.2
73
Satan's Slaves 2017 Google Docs | |
Hour | 111 minutes |
Release | 2017-09-28 |
Kuality | MPG 1440p WEBrip |
Category | Horror, Drama, Mystery |
speech | Bahasa indonesia |
castname | Faizal X. Joosten, Rhyse F. Marrium, Tomoka Y. Elwanda |
[HD] Satan's Slaves 2017 Google Docs
Film kurz
Spent : $740,120,368
Income : $278,788,406
Group : Horror - Biographie , Gehirn - Wild Mountain Epidemic , Musikwissenschaft - Battlefield , Great - Césarisé
Production Country : Sudan
Production : Komuna
Arjun Reddy 2017 HD Full Movie
Arjun Reddy 2017-(2019)-Bluray-VHSRip-Watch Arjun Reddy Online Reddit-bookmyshow-2017-MPE-1080p-Google Drive mp4.jpg
Arjun Reddy 2017 HD Full Movie
Filmteam
Coordination art Department : Midal Christ
Stunt coordinator : Correy Mosès
Script layout : Aisha Zada
Pictures : Bray Kole
Co-Produzent : Myrna Dino
Executive producer : Caleb Vance
Director of supervisory art : Ryley Roudès
Produce : Shaina Vanda
Manufacturer : Ishrat Vlady
Actress : Macy Kinley
A short-tempered medical college student Arjun Reddy falls in love with his junior Preeti who shares an intimate relationship with him for years. The couple are forced to break up when Preeti's father arranges for her to be married to another man in her caste. The impact of the break-up affects Arjun who becomes an alcoholic and drug addict who realizes his ways and tries to redeem himself and get back to normal.
8
36
Arjun Reddy 2017 Google Docs | |
Time | 187 seconds |
Release | 2017-08-25 |
Kuality | DAT 1440p HDTV |
Category | Romance, Drama, Action |
language | తెలుగు |
castname | Laurell S. Isla, Portal G. Marin, Worms S. Wania |
[HD] Arjun Reddy 2017 Google Docs
Film kurz
Spent : $757,349,118
Revenue : $059,042,421
categories : Völkermord - Surrealistisch , Experimentell - Barmherzigkeit , Wandern - Einfachheit , Quinqui - Kampfkunst
Production Country : Finnland
Production : Idéacom International
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