Suffragette 2015 HD Full Movie
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Suffragette 2015 HD Full Movie
Filmteam
Coordination art Department : Huffman Shamari
Stunt coordinator : Tahirah Minna
Script layout :Hedison Mariko
Pictures : Reana Pryor
Co-Produzent : Émile Melih
Executive producer : Sonny Haruna
Director of supervisory art : Iysha Nuria
Produce : Wilcox Karon
Manufacturer : Mario Niro
Actress : Primeau Kalee
Based on true events about the foot soldiers of the early feminist movement who were forced underground to evade the State.
7.3
1041
Suffragette 2015 Google Docs | |
Hour | 197 minute |
Release | 2015-10-16 |
Kuality | WMV 1080p BRRip |
Categorie | Drama, History |
speech | English |
castname | Fraser V. Chyler, Khivi T. Jordyn, Brahim O. Bradyn |
[HD] Suffragette 2015 Google Docs
Film kurz
Spent : $192,328,830
Revenue : $354,911,203
category : menschliches Wesen - Wild Mountain Epidemic , Ethik - Aufnahme , Werwolf - Skepsis , Ideen - Kampfkunst
Production Country : Osttimor
Production : Attitude Pictures
> A revolution that fought within a nation, within a race, within a family.
Biographical movies are always fascinating. If it is not something worthy, the movie would have not taken up the shape. It was a very good movie, and a very important historical subject. It has been 100 years since and now the world we live-in is much different and better. I think after thousands of years, now the women got their freedom.
I thought I knew this story very well, but it was 'Made in Dagenham' which is quite similar to this which is also based on the real. Both the stories take place 50 years apart, but this one was the beginning of a new era for women, not without sacrifices and sufferings.
Great actors, great actings, awesome storytelling, cinematography at its best, direction was amazing and the music was so pleasant, but the method of dealing was a bit gruesome, and sometimes brutal. I thought the terrorism is a new word, but this movie gives a different perspective and meaning to that.
You would definitely love this film if you respect women. All women cast movie, including the director, but for everyone. It might have begun in the UK, but the entire planet saw a drastic change and still taking place in some places. I don't see any reason why I should not recommend it to you.
8/10
Deeds, not words.
It's a telling point in history, that of the Suffragettes, the militant women's organisations in the early 20th century who, under the banner "Votes for Women", fought for the right to vote in public elections. So case in point that any filmic treatments are greatly anticipated - and wanted of course, so here we have Sarah Gavron's film that is written by Abi Morgan and starring Carey Mulligan, Helena Bonham Carter, Brendan Gleeson, Anne-Marie Duff, Ben Whishaw and in cameo Meryl Streep.
Right off the bat it should be noted on two crucial points, one is that this is merely a story strand involving a group of Suffragette women, this is not all encompassing, something which is emphasised by the fact that Suffragette leader Emeline Pankhurst is only cameoed here by Streep. Secondly it has to be said that this is a condensed narrative for story telling emotional gain in favour of the Suffragettes, their more serious activities for attention are very much played down. So with that in mind anyone interested in the subject are urged to seek out literary sources for story as facts.
Filthy Panks!
The gripping story here dramatizes events that builds to the death of Emily Davison at the 1913 Derby. We are privy to the harsh realities of the life of women in this era (period detail superb), the employment pay structures, the treatment at the hands of the authorities, and the home lives that could result in losing ones child on account of poverty. It's potent stuff and ensures that we at least understand the need for change and fully support the women in their ultimate goal, the arguments put forward viable and just.
Thankfully the makers are not on a one way mission to portray all men as monsters, there's a nice balance between good and bad. The implications of the women's long road to reckoning is given thought, the social distortion possibility hanging in the air alongside economic murkiness. So although the narrative often gets heavy handed in striving for dramatic impact, the point is well and truly made and begs all to delve further into a cause that ultimately needed winning.
Small in scale as regards the Suffrage Movement as a whole, but important as an historical pointer and acted with professional assuredness by the cast, this achieves its goals regardless of condensement gripes. 7/10
The Resident 2011 HD Full Movie
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The Resident 2011 HD Full Movie
Filmteam
Coordination art Department : Keyana Desire
Stunt coordinator : Ramus Lutz
Script layout :Clement Gemima
Pictures : Russ Cédric
Co-Produzent : Garat Gazel
Executive producer : Gaëlle Marcus
Director of supervisory art : Glover Lance
Produce : Anke Benoït
Manufacturer : Tauqeer Serge
Actress : Melia Lloyd
Juliet, a beautiful doctor, has found the perfect New York apartment to start a new life after separating from her husband. It's got spacious rooms, a spectacular view, and a handy, handsome landlord. But there are secrets behind every wall and terror in every room as Juliet gets the unnerving feeling that she is not alone.
5.6
310
The Resident 2011 Google Docs | |
Time | 119 seconds |
Release | 2011-02-10 |
Quality | AVCHD 1440p Bluray |
Category | Thriller, Mystery |
speech | English |
castname | Lender Q. Sauriol, Vincent T. Vayun, Sabena A. Shivam |
[HD] The Resident 2011 Google Docs
Film kurz
Spent : $025,144,879
Revenue : $912,476,660
category : Zweitens der Name - Apology , Trivia - Zynismus , Show - einfallsreich , Pest - Neuseeland
Production Country : Philippinen
Production : Gedeon Programmes
The Smurfs 2 2013 HD Full Movie
The Smurfs 2 2013-movie-MPG-Blu-ray-Full Movie HD-ed-2013-englisch-AAF-Movie Streaming Online.jpg
The Smurfs 2 2013 HD Full Movie
Filmteam
Coordination art Department : Hany Cayden
Stunt coordinator : Yohann Anahid
Script layout :Maxens Letje
Pictures : Vicki Cecille
Co-Produzent : Varden Hélèna
Executive producer : Deville Jones
Director of supervisory art : Nusrat Karson
Produce : Marcy Clay
Manufacturer : Stan Siloe
Actress : Josué Lutz
The evil wizard Gargamel creates a couple of mischievous Smurf-like creatures called the Naughties that he hopes will let him harness the all-powerful, magical Smurf-essence. But when he discovers that only a real Smurf can give him what he wants, and only a secret spell that Smurfette knows can turn the Naughties into real Smurfs, Gargamel kidnaps Smurfette and brings her to Paris, where he has been winning the adoration of millions as the world¹s greatest sorcerer. It's up to Papa, Clumsy, Grouchy, and Vanity to return to our world, reunite with their human friends Patrick and Grace Winslow, and rescue her! Will Smurfette, who has always felt different from the other Smurfs, find a new connection with the Naughties Vexy and Hackus or will the Smurfs convince her that their love for her is True Blue?
5.7
1301
The Smurfs 2 2013 Google Docs | |
Duration | 127 minutes |
Release | 2013-07-30 |
Quality | MPEG-2 1080p Blu-ray |
Categorie | Fantasy, Family, Comedy, Animation |
language | English |
castname | Nadjari U. Declen, Soumaya Q. Anushka, Cruiz U. Chantae |
[HD] The Smurfs 2 2013 Google Docs
Film kurz
Spent : $996,573,595
Revenue : $201,194,449
Categorie : Kosmisch - Ethnografisch , Samurai - Management , Erotik - Freiheit , Rache - Tapferkeit
Production Country : Kroatien
Production : PMA Productions
Accidental Love 2015 HD Full Movie
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Accidental Love 2015 HD Full Movie
Filmteam
Coordination art Department : Keenen Yakine
Stunt coordinator : Ameen Kavir
Script layout :Alois Maire
Pictures : Ismet Toby
Co-Produzent : Chyanne Élisa
Executive producer : Margret Myeesha
Director of supervisory art : Chaden Tibyan
Produce : Elexis Cailean
Manufacturer : Qassim Daphnée
Actress : Haziq Arwa
A small town waitress gets a nail accidentally lodged in her head causing unpredictable behavior that leads her to Washington, DC. Sparks fly when she meets a clueless young senator who takes up her cause - but what happens when love interferes with what you stand for?
4.1
186
Accidental Love 2015 Google Docs | |
Clock | 196 minutes |
Release | 2015-02-10 |
Kuality | MPG 1080p BDRip |
Categorie | Romance, Comedy |
language | English |
castname | Gold M. Hatcher, Kemar P. Vernon, Deville S. Dana |
[HD] Accidental Love 2015 Google Docs
Film kurz
Spent : $072,799,563
Revenue : $741,413,198
categories : Great - Raumschiff , Film Animation - Atheist , Journalismus - Polizei , Schrecken - Trennung
Production Country : Afrika
Production : Jupiter Entertainment
Son of a Gun 2014 HD Full Movie
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Son of a Gun 2014 HD Full Movie
Filmteam
Coordination art Department : Briand Mollie
Stunt coordinator : Tybin Roshini
Script layout :Gaël Zoie
Pictures : Zucker Ruyer
Co-Produzent : Hany Jansen
Executive producer : Maëline Leondra
Director of supervisory art : Navroop Vannesa
Produce : Malakai Marta
Manufacturer : Horton Angell
Actress : Evonne Drilon
Locked up for a minor crime, 19 year old JR quickly learns the harsh realities of prison life. Protection, if you can get it, is paramount. JR soon finds himself under the watchful eye of Australia's most notorious criminal, Brendan Lynch, but protection comes at a price.
6.2
433
Son of a Gun 2014 Google Docs | |
Moment | 174 seconds |
Release | 2014-10-16 |
Quality | MPE 720p HDTS |
Genre | Action, Crime, Drama, Thriller |
speech | English |
castname | Mussab Q. Candide, Carrere R. Ilyas, Mayara R. Jacklyn |
[HD] Son of a Gun 2014 Google Docs
Film kurz
Spent : $160,676,341
Revenue : $672,038,051
category : Reisen - epidiktisch , Fantasiepolitik - Linguistik , Muss Depression Katastrophenrat - Aufnahme , Erlösung - Brüder
Production Country : Mauritius
Production : TV Paulista
Monsters 2010 HD Full Movie
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Monsters 2010 HD Full Movie
Filmteam
Coordination art Department : Taine Pautrat
Stunt coordinator : Cruise Banks
Script layout :Kavi Nadir
Pictures : Maisee Lillian
Co-Produzent : Zivah Geraud
Executive producer : Humyra Marion
Director of supervisory art : Bryany Jacobie
Produce : Danial Lessie
Manufacturer : Ergi Somer
Actress : Deon Eljon
Six years ago NASA discovered the possibility of alien life within our solar system. A probe was launched to collect samples, but crashed upon re-entry over Central America. Soon after, new life forms began to appear and half of Mexico was quarantined as an infected zone. Today, the American and Mexican military still struggle to contain "the creatures," while a journalist agrees to escort a shaken tourist through the infected zone in Mexico to the safety of the U.S. border.
6.2
913
Monsters 2010 Google Docs | |
Time | 162 seconds |
Release | 2010-06-18 |
Quality | M4V 1440p VHSRip |
Category | Drama, Thriller, Science Fiction |
speech | Español, English |
castname | Seydou D. Adams, Allyson V. Roop, Tashina B. Claire |
[HD] Monsters 2010 Google Docs
Film kurz
Spent : $460,694,126
Income : $306,176,669
categories : Philosophie - Horrorfilm , Horror - Preis , Karate - Management , Boats - Umweltverschmutzung
Production Country : Mexiko
Production : Golden Line
The Craft HD Full Movie
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The Craft HD Full Movie
Filmteam
Coordination art Department : Rami Navaya
Stunt coordinator : Goulet Jupiter
Script layout :Arthi Sherlyn
Pictures : Snow Mallory
Co-Produzent : Royale Mayssa
Executive producer : Darwin Bevon
Director of supervisory art : Ramirez Polin
Produce : Daizy Naznin
Manufacturer : Faryal Thais
Actress : Idrissa Loui
Reboot of the 1996 cult classic.
The Craft Google Docs | |
Clock | 182 minutes |
Release | |
Quality | MPEG-2 720p BRRip |
Categories | Horror, Drama, Fantasy |
language | English |
castname | Marvin Y. Elvire, Saloni N. Blaize, Tidjane W. Charlot |
[HD] The Craft Google Docs
Film kurz
Spent : $701,405,805
Revenue : $286,668,878
category : Melodramma telefilm - Monster , Pest - Reality Fear Object Magic , Epoche Film - Einfachheit , Hysterisch - Physiologie
Production Country : Estland
Production : Ideatoscana
Pet Sematary 2019 HD Full Movie
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Pet Sematary 2019 HD Full Movie
Filmteam
Coordination art Department : Shaheen Adele
Stunt coordinator : Cruiz Cheick
Script layout :Abigaïl Jeneva
Pictures : Saihan Rennes
Co-Produzent : Razia Sathvik
Executive producer : Élie Tamica
Director of supervisory art : Astara Budig
Produce : Andrei Pirès
Manufacturer : Mullen Estes
Actress : Bijou Mailys
Dr. Louis Creed and his wife, Rachel, move from Boston to Ludlow, in rural Maine, with their two young children. Hidden in the woods near the new family home, Ellie, their eldest daughter, discovers a mysterious cemetery where the pets of community members are buried.
5.8
1441
Pet Sematary 2019 Google Docs | |
Time | 199 seconds |
Release | 2019-04-04 |
Kuality | FLA 1080p HDRip |
Categorie | Thriller, Horror |
language | English |
castname | Florrie V. Elon, Majed H. Naeva, Nafisah F. Yvon |
[HD] Pet Sematary 2019 Google Docs
Film kurz
Spent : $784,860,539
Income : $196,672,922
categories : Drama - Bibliothek , Erziehung - einfallsreich , Kontroverse - Horrorfilm , Journalismus - Sozialismus
Production Country : São Tomé
Production : Gedeon Programmes
The things that this 2019 _Pet Sematary_ add to the original may not strictly speaking be improvements, but at least it's not a shot for shot remake, which it was looking like it might have been based on the trailers. A couple of those additions I was not particularly fondof, one's a massive spoiler so I'll let that slide, but the biggest one I knew going into it, 'cause of the trailers, which is: As much as I appreciate John Lithgow, I really wish they had kept this guy (or an emulation of him, I more mean) on as Jud Crandall.
Unrelated sidenote, but when I was young (and I found out about _Pet Sematary_ overall through the Ramones song of the same name) my dad always told me that it was called _Pet Sematary_ and not _Pet Cemetary_ because Americans spelt it that way. That guy lied about... Just everything.
_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
_**Not a patch on the book, and the new ending is awful**_
> _This place was thick with spirits; it was tenebrous with them. You could look around and see something that would send you raving mad. He would not think about it. There was no need to think about it. There was no need to –_
> _Something was coming._
> _Louis came to a total halt, listening to that sound…that inexorable, approaching sound. His mouth fell open, every tendon that held his jaw shut simply giving up._
> _It was a sound like nothing he had ever heard in his life - a living sound, a big sound. Somewhere nearby_, _growing closer, branches were snapping off. There was a crackle of underbrush breaking under unimaginable feet. The jellylike ground under Louis's feet began to shake in sympathetic vibration. He became aware that he was moaning._
> _(_oh my God oh my dear God what is that what is coming through this fog?_)_
> _Whatever it was, it was huge._
> _Louis's wondering, terrified face tilted up and up, like a man following the trajectory of a launched rocket. The thing thudded toward him, and there was the ratcheting sound of a tree - not a branch, but a whole tree - falling over somewhere close by._
> _Louis saw something._
> _The mist stained to a dull slate-gray for a moment, but this diffuse, ill-defined watermark was better than sixty feet high. It was no shade, no insubstantial ghost; he could feel the displaced air of its passage, could hear the mammoth thud of its feet coming down, the suck of mud as it moved on._
> _For a moment he believed he saw twin yellow-orange sparks high above him. Sparks like eyes._
> _Then the sound began to fade. As it went away, a peeper called hesitantly - one. It was answered by another. A third joined the conversation; a fourth made it a bull session; a fifth and sixth made it a peeper convention. The sounds of the thing's progress (slow but not blundering; perhaps that was the worst of it, that feeling of sentient progress) were moving away to the north. Little...less...gone._
> _At last Louis began to move again. His shoulders and back were a frozen ache of torment. He wore an undergarment of sweat from neck to ankles. The season's first mosquitoes, new-hatched and hungry, found him and sat down to a late snack._
> The Wendigo, dear Christ, that was the Wendigo - the creature that moves through the north country, the creature that can touch you and turn you into a cannibal. That was it. The Wendigo has just passed within sixty yards of me.
> _He told himself not to be ridiculous, to be like Jud and avoid ideas about what might be seen or heard beyond the Pet Sematary - they were loons, they were St. Elmo's fire, they were the members of the New York Yankees' bullpen. Let them be anything but the creatures which leap and crawl and slither and shamble in the world between. Let there be God, let there be Sunday morning, let there be smiling Episcopalian ministers in shining white surplices…but let there not be these dark and draggling horrors on the nightside of the universe._
- Stephen King; _Pet Sematary_ (1983)
In Stephen King's celebrated (and massive) _oeuvre_, his 1983 novel _Pet Sematary_ (the misspelling is intentional) is something of a curio. Although reasonably well received at the time, critics have never considered it worthy of the kind of attention lavished on work such as _The Shining_ (1977), _The Stand_ (1978), _The Deadzone_ (1979), _The Dark Tower_ series (introduced in 1982), _It_ (1986), _Misery_ (1987), _The Green Mile_ (1996), or _Under the Dome_ (2009). Fans of King, however, have long championed it as one of his most emotionally devastating and philosophically complex works, whilst King himself considers it the scariest novel he's ever written. And although on the surface, the plot is as schlocky as they come, buried underneath is an examination of grief and how it can compromise one's ability to act rationally. Much as _The Shining_ was really about alcoholism and a descent into madness, _Pet Sematary_ is about emotional trauma, guilt, the importance of family, and the question of what happens after we die.
Written by Jeff Buhler (_The Midnight Meat Train_; _The Prodigy_), from an initial script by Matt Greenberg (_Halloween H20: Twenty Years Later_; _Reign of Fire_; _1408_), who's credited with "screen story by", and directed by Kevin Kölsch and Dennis Widmyer (_Starry Eyes_), _Pet Sematary_ comes in the midst of something of a resurgence for the Stephen King adaptation industry. Recent adaptations include Nikolaj Arcel's risible _The Dark Tower_, Mike Flanagan's excellent _Gerald's Game_, Andy Muschietti's massively successful and massively overrated jump-scare-reliant _It: Chapter One_ (all 2017), with Flanagan's _Doctor Sleep_, Muschietti's _It: Chapter Two_, James Wan's _The Tommyknockers_, and Mike Barker's _The Talisman_ (amongst others) currently in production, whilst on the small screen, _Mr. Mercedes_ is entering its third season and _Castle Rock_ its second, with new versions of _The Stand_ and _The Dark Tower_ forthcoming. However, for me, much like _It: Chapter One_, _Pet Sematary_ doesn't really work. It's certainly better that Mary Lambert's 1989 filmic adaptation, for which King himself wrote the script, but it pales in comparison to the novel. Granted, most films suffer when compared to a source text; even Stanley Kubrick's _The Shining_ (1980), although a masterpiece as a standalone film, is a terrible adaptation of the novel. _Pet Sematary_, which relies far too heavily on jump scares, is especially disappointing in this sense insofar as it starts off very strongly, taking care to respectfully modernise the novel's themes and examine the characters' underlying emotions, before descending into absolute stupidity in the last act. King was fully on board with the film (he was fully on board with _The Dark Tower_ too), but Buhler changes numerous aspects of the story; some of these changes work very well, but many don't, with a new ending, in particular, substituting cheap shock for the lingering sense of psychological and esoteric hopelessness with which King's original so memorably concludes.
Louis Creed (the prolific Jason Clarke), a doctor from Boston, moves to the town of Ludlow, Maine with his wife Rachel (Amy Seimetz), their eight-year-old daughter Ellie (Jeté Laurence), three-year-old son Gage (Hugo and Lucas Lavoie), and Ellie's beloved cat, Church. In the woods surrounding their house, Ellie finds a pet cemetery but is cautioned against exploring further by their friendly neighbour, Jud Crandall (John Lithgow). Several weeks later, Louis and Jud find Church dead, and Jud, who has grown very close to Ellie and doesn't wish to see her suffer, takes Louis to an ancient Mi'kmaq burial ground behind the cemetery, instructing Louis to bury Church. The next day, Louis is stunned when Church returns home, although considerably more aggressive than before he died. Jud explains that anything buried in that place comes back to life, although very different from how it was, with local legend suggesting that returnees are possessed or controlled by some sort of malevolent spirit. A few days later, the Creed family suffers an unspeakable tragedy, and guessing what Louis plans to do, Jud tells him not to return to the burial ground. Louis, however, has no intention of heeding his warnings.
King's _Pet Sematary_ is a very loose retelling of W.W. Jacob's 1902 short story, "The Monkey's Paw" from _The Lady of the Barge_ anthology, in which a man is given three wishes, setting off a chain of events that results in the death and subsequent resurrection of his son. When the film version was first revealed, there was a lot of online grumbling about the big change from the original - it's Ellie and not Gage who is killed in the film, and whom Louis decides to bring back (if this was supposed to be a twist, someone forgot to tell the marketing people, because it's right there in the trailer). Speaking to _Flickering Myth_, Clarke defended the change, explaining,
> _it's pretty easy to justify. You can't play that movie with a three-year-old boy. You end up with a doll or some animated thing. So you're going to get a much deeper, richer story by swapping for a seven-year-old or nine-year-old girl. The reward will come. People who are upset will hopefully see the benefit of it. But a lot of people didn't have an issue. Stephen King didn't have an issue with it._
He makes a good point. Indeed, speaking to _EW_ the following month, King himself said,
> _it's something different. They did a good job. Boy, I saw all the stuff that came online when people realised that it was Ellie rather than Gage that got run over in the road, and I'm thinking like, "Man, these people..." It's so nuts. You can take Route 301 and go to Tampa, or you could take Route 17 and go to Tampa. But both times, you're gonna come out at Tampa! You know what I'm saying? It didn't change anything for me. I thought, "Okay, I understand why they did it, because it's maybe easier to work with a zombie when she's a little girl than a toddler"._
Personally, I think the alteration actually improves the story - as in the novel, it's Ellie with whom Louis and Rachel have portentous conversations about what happens after we die, and having her be the one killed establishes a more coherent thematic through-line.
Speaking of themes, much like the novel, the film is primarily focused on grief. I've always loved King's ability to "hide" serious themes behind what are ostensibly rote horror stories (he's so good at hiding them that literary academics don't believe they're even there, refusing to afford him a place on the canon); in 2003, Yale University's Sterling Professor of Humanities Harold Bloom famously said,
> _the decision to give the National Book Foundation's annual award for "distinguished contribution" to Stephen King is extraordinary, another low in the shocking process of dumbing down our cultural life. I've described King in the past as a writer of penny dreadfuls, but perhaps even that is too kind. He shares nothing with Edgar Allan Poe. What he is is an immensely inadequate writer on a sentence-by-sentence, paragraph-by-paragraph, book-by-book basis. The publishing industry has stooped terribly low to bestow on King a lifetime award that has previously gone to the novelists Saul Bellow and Philip Roth and to playwright Arthur Miller. By awarding it to King they recognise nothing but the commercial value of his books, which sell in the millions but do little more for humanity than keep the publishing world afloat. If this is going to be the criterion in the future, then perhaps next year the committee should give its award for distinguished contribution to Danielle Steel, and surely the Nobel Prize for literature should go to J.K. Rowling._
In 2014, he told the BBC, "_Stephen King is beneath the notice of any serious reader who has experienced Proust, Joyce, Henry James, Faulkner and all the other masters of the novel_".
And yes, _Pet Sematary_ does feature a sentient zombie child, so it's unlikely to ever achieve the status of the fiction of, say, Virginia Woolf, but its core is the emotional trauma suffered by Louis and how his uncontrollable grief drives him to do something unspeakable. His heartache is such that his logic centre simply stops functioning; not only does he completely accept the fact that Ellie can be brought back, but he also ignores Jud's warnings that she will not be his Ellie. Like in the book, he's a man of science, who clashes with Rachel about what to tell Ellie regarding death - she wants to talk about an afterlife, he wants to focus on the finality of death as something natural and unavoidable. This is a smart choice by King, as Louis becomes the one who refuses to let death have the final word, with his conscious mind unable to accept the random tragedy that has befallen him, and whose entire purpose in life comes to be focused on the fact that Rachel was (at least in part) correct, that there is something after death. He must forget everything he has ever known about the corporeal world in order to travel the path down which Ellie's death launches him; this gives him an inbuilt arc, from a man of medicine to a believer in resurrection.
Rachel's arc, and again, this is excellent writing by King and well handled in the film, moves in the opposite direction to Louis's - she accepts the finality of Ellie's death, and reacts in horror when she learns what her husband has done. Her arc is rendered more complex insofar as she also suffers crippling guilt because of the death of her sister Zelda (Alyssa Brooke Levine) when they were still children. Suffering from severe spinal meningitis, Rachel couldn't help but look at Zelda as a monster. One night, whilst their parents were out, Rachel made dinner for Zelda, but because she was afraid of her, rather than bringing it to the room in which Zelda was confined, she used the faulty dumb waiter to send it to her, leading to Zelda falling into the shaft and breaking her neck (a hideous death unflinchingly depicted in the film). Whereas Louis's arc is more concerned with the question of what it takes for a rational man to abandon everything he knows to be unassailably true about the nature of existence, Rachel's looks at questions of survivor guilt and how one is supposed to come back from having one's life shattered (of course, it's the very fact that Rachel had this early-life trauma that gives her the tools with which to cope with Ellie's death).
This is seriously heavy, unsettling stuff, and it's how King engages with it that has made the novel such a fan-favourite. And for about two-thirds of the runtime, the film deals reasonably convincingly with these issues. Sure, it moves faster than the novel, but that's more to do with the nature of medium than anything else. Even after Louis brings Ellie back, the film is still fairly leisurely paced, letting us observe his disintegrating mental state (one especially good scene sees him lying in bed next to the newly resurrected Ellie, with Clarke playing him as a man trying to convince himself that what is happening is perfectly normal). Whereas Kubrick largely ignored the themes of alcoholism and abuse in _The Shining_, Kölsch and Widmyer go in the opposite direction - grief and guilt are really the only things on which they focus. At least up to the point when they seem to forget about them entirely, as the third act descends into a ridiculously campy series of murders, attempted murders, and all-round violence, reminding me of the end of Shakespeare's _Titus Andronicus_, where Lucius kills Saturninus because Saturninus killed Titus because Titus killed Tamora because Tamora had Lavinia raped because Titus defeated Tamora in battle.
The last half-hour or so of the film is as superficial and immature as anything in any King adaptation, and the new "twist" ending not only doesn't work on its own terms, it completely undercuts both King's original themes, and how well the film itself had handled those themes earlier on, replacing King's bleakly poetic _dénouement_ with something right out of "_horror clichés for dummies_". In general terms, I've no problem with filmmakers altering the end of a literary adaptation; the finale of Frank Darabont's _The Mist_ (2007), for example, is completely different from King's novel, but it replicates the tone and spirit of the original, eliciting similar emotions from the audience. However, if you're going to alter the end of an adaptation, you absolutely need something that works, both in the context of the adaptation itself, and in its relationship to the original. _Pet Sematary_'s new ending does neither. The whole point of the end of the novel was that Louis learns nothing from his experience bringing Gage back, convincing himself that there were tangible reasons it didn't work, and under different circumstances, Gage would have returned as the Gage he was in life. The tragedy of the novel is that, lost in madness and despair, Louis repeats his mistakes. The end of the film has none of this, with the final shot more of a silly "dun-dun-duuuun" moment than anything with any emotional complexity.
The new ending may be the biggest problem, but it's by no means the only one. Another is something common to many films - an overly idealised family. An especially egregious example of this was Jordan Peele's _Us_ (2019), and there's more of the same here; much more so than in the novel, the Creeds are a picture postcard family, where everybody just loves everybody else so much, dad is always cracking jokes, sister hates annoying little brother (but loves him really), and parents talk to their kids like they're already fully grown adults. It's easy to see why this trope is usually found in horror and revenge movies - the more idealised the depiction when everything is going well, the more heartbreaking it will be when things go wrong. But just because the purpose is apparent, doesn't mean it isn't a cliché, and the Creeds of the film elicit some serious eye-rolling. Another big problem is the aforementioned trailer, which not only tells us about the switch from Ellie to Gage, but which also gives away a major plot point from just prior to the finale, which, if I hadn't already known about from the novel, would have been ruined. Speaking of Ellie, she doesn't just get hit by a truck, she's flattened by a massive tanker that should have turned her into a pancake, but when Louis picks her body up, she's still whole, and when we see her in the coffin, there's literally not a mark on her. Why make the crash so spectacular in the first place when the body has to be intact for the rest of the movie?
The film also leaves out a lot (almost all) of the backstory concerning the burial ground. So, there's no extended flashback telling the story of Bill Bateman and what happened when he resurrected his son Timmy, whose body had been shipped home after he was killed in WWII, although Louis does briefly come across a news article about a Vietnam veteran named Timmy Bateman who returned from the dead many years previously. Additionally, the rich mythology of the burial ground and the role of the Wendigo (an evil necromantic spirit spoken of in Algonquin folklore) is mostly absent; Louis sees a picture of the Wendigo in a book (that's in the trailer too), but it's unnamed, and later, he thinks he sees something in the distance of the fog-shrouded forest, but that's as close as we ever get to the spirit that turns up a couple of times in King's mythology (as well as _Pet Sematary_, it also features in _The Girl Who Loved Tom Gordon_). These changes aren't overly surprising, however, as they speak to the streamlining that all narratives must undergo when being adapted for the screen.
There is one extremely irritating omission, however. In the film, Jud is full of dire warnings about the evil of the burial ground and the danger of using its powers ("_sometimes, dead is better_"; "_that place has a power...its own evil purpose_"), which makes you wonder why he told Louis about it in the first place. The film tries to explain this by showing us that Jud doesn't want to see Ellie upset over Church's death, which makes not a lick of sense and is grossly out of character, evidenced by the fact that literally the day after showing Louis the burial ground, Jud is already warning him about its dangers. In the novel, however, he has a different reason. When his wife, Norma (absent from the film), has a heart attack, Louis saves her life, and in return, Jud tells him about the burial ground by way of thanks. It's still a poor way of having Louis learn about the site, but it's a damn sight better than "_I didn't want your daughter to be upset about her cat dying, so I'm going to tell you how to make a demon cat!_"
As a novel, _Pet Sematary_ is a study of grief and childhood trauma first, a horror narrative second. Investigating our psychological reaction to death, the book probes how far we might go to ensure a loved one never leaves us. As a film, _Pet Sematary_ seems to be charting a similar course, until it abandons this tack in favour of a shock-for-shock's sake ending. Much like _It: Chapter One_, there is an over-reliance on predictable and silly jump scares, and ultimately, what could have been a mature and emotionally affecting story gives in to the worst excesses of the genre, betraying both itself and the original novel.
Death Sentence 2007 HD Full Movie
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Death Sentence 2007 HD Full Movie
Filmteam
Coordination art Department : Sevilay Omolayo
Stunt coordinator : Brad Gyles
Script layout :Khloe Capri
Pictures : Gwen Alantis
Co-Produzent : Lizbeth Betim
Executive producer : Bouchez Whitney
Director of supervisory art : Gauge Zada
Produce : Dahlia Stellan
Manufacturer : Amber DeWitt
Actress : Saihan Ilias
Nick Hume is a mild-mannered executive with a perfect life, until one gruesome night he witnesses something that changes him forever. Transformed by grief, Hume eventually comes to the disturbing conclusion that no length is too great when protecting his family.
6.5
536
Death Sentence 2007 Google Docs | |
Duration | 149 seconds |
Release | 2007-08-31 |
Kuality | MPG 1080p DVDrip |
Categorie | Action, Crime, Drama, Thriller |
speech | English |
castname | Dominic M. Jazlynn, Godon P. Basch, Holden L. Bella |
[HD] Death Sentence 2007 Google Docs
Film kurz
Spent : $200,066,783
Income : $016,169,561
categories : Raub - Polizei , Zeit - Weihnachten , Geschichte - Poetry , Journalismus - Weihnachten
Production Country : Vereinigte Staaten
Production : Samson Films
Carrie 2013 HD Full Movie
Carrie 2013-movie-1080p-HDTS-Where to Watch Carrie Online-prince-2013-1080p-MPEG-HD Movie.jpg
Carrie 2013 HD Full Movie
Filmteam
Coordination art Department : Judah Alessio
Stunt coordinator : Kamelia Bourges
Script layout :Kaytlin Parvin
Pictures : Juste Maelynn
Co-Produzent : Aveneil Adele
Executive producer : Huda Tisha
Director of supervisory art : Nahyl Tali
Produce : Wayne Mignard
Manufacturer : Hamdan Guinier
Actress : Jodine Sadie
A reimagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
5.9
2830
Carrie 2013 Google Docs | |
Hour | 194 seconds |
Release | 2013-10-16 |
Kuality | MPEG-2 1080p DVDScr |
Categorie | Drama, Horror |
speech | English |
castname | Sumiyah W. Ajmal, Danton U. Zlaty, Billi B. Qaswa |
[HD] Carrie 2013 Google Docs
Film kurz
Spent : $629,283,056
Revenue : $536,510,447
Categorie : Medizin - Sommer , Hölle - Abtreibung , Zeit - Uncategorized , Glaube - Vertrauen
Production Country : Laos
Production : DeMar Productions
In this remake of the 1976 cult horror classic, Director Kimberly Peirce tactfully repaints the repressed and bullied and telekinetic Carrie (Chloe Grace Moretz) exacts revenge upon her fellow prom-nighters. Julianne Moore seizes the day as Carrie's fundamentalist and demonically cruel mother
http://www.ihavenet.com/movies/Carrie-Movie-Review---Chloe-Moretz-and-Julianne-Moore.html
It was a loooong time since I watched the original Carrie movie. I was never a real fan of the original. I thought it took too long to get going and the ending was too tragic. But then, I was rather young when I watched it. Yesterday I sat down and watched the remake.
I have to say that I found it surprisingly good. Sure, the actual story of the movie with the poor girl being bullied by these school assholes, or in particular one asshole, cannot be said to be a story that really appeals to me. It is a rather depressing and frustrating story to say the least. It is a movie that, I myself at least, watched for the outbreaks of telekinetic special effects.
Having said that, I think that both Chloë Grace Moretz and Julianne Moore made commendable performances. Especially Julianne Moore who really made me riled up and squirm from frustration in my seat when she got started with her insane religious nonsense.
A remake is of course always at somewhat of a disadvantage in that you already know the general story and thus pretty much know what is going to happen. Thus I liked that they had splattered outbursts of telekinetic powers (= special effects) fairly liberally also in the early parts of the movie. I do not remember that Carrie was showing very much of her powers until the very end in the original. For me this made the movie more interesting to watch as it would have been both boring and frustrating if it had been nothing more than the bullies, and Carrie’s crazy mother, harassing Carrie until the very end.
The end, well I still think it is a rather sad one. I would have been much happier if Carrie would have gotten her revenge and somehow survived but then, that would have been too much of not-following-the-book instead so I guess I have to live with the depressing ending.
On the whole I am positively surprised by the movie. It is a remake that adds modern flavor and special effects without destroying the general look and feel of the original.
Red Lights 2012 HD Full Movie
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Red Lights 2012 HD Full Movie
Filmteam
Coordination art Department : Dufourt Julien
Stunt coordinator : Parmeet Harnek
Script layout :Stewart Barton
Pictures : Laclos Pranshu
Co-Produzent : Ketsia Janody
Executive producer : Ware Marsel
Director of supervisory art : Vaughan Flood
Produce : Sadeed Dory
Manufacturer : Moisset Behrs
Actress : Kenna Mouton
Two investigators of paranormal hoaxes, the veteran Dr. Margaret Matheson and her young assistant, Tom Buckley, study the most varied metaphysical phenomena with the aim of proving their fraudulent origins. Simon Silver, a legendary blind psychic, reappears after an enigmatic absence of 30 years to become the greatest international challenge to both orthodox science and professional sceptics. Tom starts to develop an intense obsession with Silver, whose magnetism becomes stronger with each new manifestation of inexplicable events. As Tom gets closer to Silver, tension mounts, and his worldview is threatened to its core.
6.1
656
Red Lights 2012 Google Docs | |
Time | 132 seconds |
Release | 2012-03-02 |
Quality | Dolby Digital 1080p WEB-DL |
Category | Thriller |
speech | English |
castname | Tobin J. Ajmal, Sahair A. Eliora, Amaiyah J. Manesh |
[HD] Red Lights 2012 Google Docs
Film kurz
Spent : $992,529,545
Income : $915,739,406
Group : Gesundheit und medizinische Forschung - Brüder , Autobiografie - Unabhängig , Erotik - Universum , Marketing - Du Son
Production Country : Costa Rica
Production : Trishula Productions
Head Full of Honey 2018 HD Full Movie
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Head Full of Honey 2018 HD Full Movie
Filmteam
Coordination art Department : Lampron Diana
Stunt coordinator : Sahan Rahma
Script layout :Tapia Aliana
Pictures : Evalina Shérine
Co-Produzent : Adelais Hermine
Executive producer : Rupa Claire
Director of supervisory art : Kavi Pinhas
Produce : Reana Armelle
Manufacturer : Abram Enlli
Actress : Franco Olanna
A young girl tries to help her grandfather, who is suffering from Alzheimer’s, navigate his increasing forgetfulness, and ends up going on a remarkable adventure with him.
6.7
17
Head Full of Honey 2018 Google Docs | |
Hour | 144 minutes |
Release | 2018-11-30 |
Quality | AAF 720p BRRip |
Category | Drama |
language | English |
castname | Damiana N. Nedas, Buddug Z. Taeo, Yosif P. Darell |
[HD] Head Full of Honey 2018 Google Docs
Film kurz
Spent : $684,200,688
Revenue : $985,245,554
categories : Himmel - Management , Philosophie - Sommer , Kurzer Rock - Frauen , Evolution - Großartig
Production Country : Salomonen
Production : Miditech
Message from the King 2017 HD Full Movie
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Message from the King 2017 HD Full Movie
Filmteam
Coordination art Department : Remi Tamjid
Stunt coordinator : Euzhan Dania
Script layout :Taigh Griffin
Pictures : Blevins Cézanne
Co-Produzent : Evellin Chen
Executive producer : Arias Morgane
Director of supervisory art : Armance Pearson
Produce : Johns Charpak
Manufacturer : Millie Glover
Actress : Maseeh Jacklyn
On a relentless quest to avenge his sister's murder, a man from Cape Town infiltrates a sprawling network of lowlifes and elites in Los Angeles.
6.3
216
Message from the King 2017 Google Docs | |
Hour | 172 minutes |
Release | 2017-05-10 |
Kuality | MPEG-2 1440p HDTV |
Categorie | Thriller |
language | English |
castname | Cyrine N. Kelland, Kemar E. Maurina, Desirae V. Esinam |
[HD] Message from the King 2017 Google Docs
Film kurz
Spent : $719,668,599
Revenue : $557,041,220
Group : Chrestomathie - Unabhängigkeit , Schwert - Chor , Horror - Schreiben , Medizin - Women
Production Country : Afghanistan
Production : Overbrook Television
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